Michael Jackson · Dangerous

Heal the World

Heal the World is in A major at 81 beats per minute.

4080120160200

Tempo

81 BPM · Andantemedian of 248 analyses · 80.9–81 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
92%share of analyses that agreed
Analyses
248people who ran the extractor
One beat
740.7milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
6.06dB the level wanders from its average
Loudness
0.591Essentia's 0–1 scale, not dB
Danceability
1.102Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

248 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 92% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 248 readings; 95% of them land within 2% of it, and they barely differ at all.

At 81 BPM one beat lasts 740.7 milliseconds, so a sixteenth note is 185.2 ms and a dotted eighth 555.6 ms — the delay times for this recording. Counted half as fast it is 40.5 BPM, counted twice as fast 162. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.06 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.591 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 81 BPM

Note valueBeatsMillisecondsHertz
Whole note429630.34
Half note21481.50.68
Dotted quarter1.51111.10.9
Quarter note (one beat)1740.71.35
Quarter triplet0.667493.82.03
Dotted eighth0.75555.61.8
Eighth note0.5370.42.7
Eighth triplet0.333246.94.05
Dotted sixteenth0.375277.83.6
Sixteenth note0.25185.25.4
Sixteenth triplet0.167123.58.1
Thirty-second note0.12592.610.8

Half time 40.5 BPM · double time 162 BPM. Every row is one beat (740.7 ms) times the fraction in the second column.

Closest in key and tempo

  1. OmahaCounting CrowsA major81BPM
  2. In the CityEaglesA major81BPM
  3. Twistin’ the Night AwaySam CookeA major80BPM
  4. HaloBeyoncéA major80BPM
  5. Blue ChristmasCéline DionA major80BPM
  6. Take Me Home, Country RoadsJohn DenverA major82BPM
  7. Painter SongNorah JonesA major79BPM
  8. Shooting StarBad CompanyA major83BPM
  9. Dreamin’ of YouCéline DionA major83BPM
  10. This I Promise You*NSYNCA major83BPM

Recordings in A major, ordered by how near their tempo is to 81 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 81 BPMA major at 80–89 BPMMichael Jackson

MusicBrainz collapses 39 recording ids into this one. Recording id ff3a450a-6f95-44f9-8763-05070d89c19c.