Michael Jackson · Thriller
Wanna Be Startin’ Somethin’
Wanna Be Startin’ Somethin’ is in A major at 122.2 beats per minute.
Tempo
122 BPM · Allegromedian of 438 analyses · 122.1–122.3 across the middle eight tenths- Key
- A major3 sharps · the key most of the analyses agreed on
- Agreement
- 85%share of analyses that agreed
- Analyses
- 438people who ran the extractor
- One beat
- 491milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.15dB the level wanders from its average
- Loudness
- 0.951Essentia's 0–1 scale, not dB
- Danceability
- 1.736Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
438 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 85% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 438 readings; 98% of them land within 2% of it, and they barely differ at all.
At 122.2 BPM one beat lasts 491 milliseconds, so a sixteenth note is 122.7 ms and a dotted eighth 368.2 ms — the delay times for this recording. Counted half as fast it is 61.1 BPM, counted twice as fast 244.4. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.15 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.951 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in A major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with A major
Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 122 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1964 | 0.51 |
| Half note | 2 | 982 | 1.02 |
| Dotted quarter | 1.5 | 736.5 | 1.36 |
| Quarter note (one beat) | 1 | 491 | 2.04 |
| Quarter triplet | 0.667 | 327.3 | 3.06 |
| Dotted eighth | 0.75 | 368.2 | 2.72 |
| Eighth note | 0.5 | 245.5 | 4.07 |
| Eighth triplet | 0.333 | 163.7 | 6.11 |
| Dotted sixteenth | 0.375 | 184.1 | 5.43 |
| Sixteenth note | 0.25 | 122.7 | 8.15 |
| Sixteenth triplet | 0.167 | 81.8 | 12.22 |
| Thirty-second note | 0.125 | 61.4 | 16.29 |
Half time 61.1 BPM · double time 244.4 BPM. Every row is one beat (491 ms) times the fraction in the second column.
Closest in key and tempo
- Diamond DogsDavid BowieA major122BPM
- Take Me With UPrince and The RevolutionA major122BPM
- Let's Go Out TonightCraig Armstrong feat. Paul BuchananA major122BPM
- What It IsMark KnopflerA major122BPM
- Words of LoveThe BeatlesA major122BPM
- Say (All I Need)OneRepublicA major122BPM
- Treat Me RightBackstreet BoysA major122BPM
- HeavenAvicii & Chris MartinA major122BPM
- In TheeBlue Öyster CultA major122BPM
- Is This LoveBob Marley & The WailersA major123BPM
Recordings in A major, ordered by how near their tempo is to 122 BPM. A calculation, not a recommendation.
All songs in A majorAll songs at 122 BPMA major at 120–129 BPMMichael Jackson
MusicBrainz collapses 44 recording ids into this one. Recording id 2460a241-6ff4-49f1-80f9-36051534e9ae.