Miles Davis · Bitches Brew
Miles Runs the Voodoo Down
Miles Runs the Voodoo Down is in A major at 119.7 beats per minute.
Tempo
120 BPM · Moderatomedian of 133 analyses · 119.3–119.9 across the middle eight tenths- Key
- A major3 sharps · the key most of the analyses agreed on
- Agreement
- 48%share of analyses that agreed
- Analyses
- 133people who ran the extractor
- One beat
- 501.3milliseconds, 60,000 ÷ BPM
- Tuning
- 446.1Hz · +24 cents from A 440
- Dynamics
- 2.87dB the level wanders from its average
- Loudness
- 0.923Essentia's 0–1 scale, not dB
- Danceability
- 1.169Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
133 independent analyses of this recording were submitted to AcousticBrainz. Fewer than half of them — 48% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 133 readings; 93% of them land within 2% of it, and they barely differ at all.
At 119.7 BPM one beat lasts 501.3 milliseconds, so a sixteenth note is 125.3 ms and a dotted eighth 375.9 ms — the delay times for this recording. Counted half as fast it is 59.9 BPM, counted twice as fast 239.4. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 446.1 Hz, which is 24 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 2.87 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.923 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in A major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with A major
Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 120 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2005 | 0.5 |
| Half note | 2 | 1002.5 | 1 |
| Dotted quarter | 1.5 | 751.9 | 1.33 |
| Quarter note (one beat) | 1 | 501.3 | 2 |
| Quarter triplet | 0.667 | 334.2 | 2.99 |
| Dotted eighth | 0.75 | 375.9 | 2.66 |
| Eighth note | 0.5 | 250.6 | 3.99 |
| Eighth triplet | 0.333 | 167.1 | 5.99 |
| Dotted sixteenth | 0.375 | 188 | 5.32 |
| Sixteenth note | 0.25 | 125.3 | 7.98 |
| Sixteenth triplet | 0.167 | 83.5 | 11.97 |
| Thirty-second note | 0.125 | 62.7 | 15.96 |
Half time 59.9 BPM · double time 239.4 BPM. Every row is one beat (501.3 ms) times the fraction in the second column.
Closest in key and tempo
- Bad InfluenceThe B‐52’sA major120BPM
- HeroinLana Del ReyA major120BPM
- All by MyselfCéline DionA major120BPM
- Back to MeDayaA major120BPM
- Supermassive Black HoleMuseA major120BPM
- KingYears & YearsA major120BPM
- Love Can Move MountainsCéline DionA major120BPM
- Gucci$NOTA major120BPM
- Instant Karma! (We All Shine On)John Lennon & The Plastic Ono BandA major120BPM
- Johnny, Kick a Hole in the SkyRed Hot Chili PeppersA major120BPM
Recordings in A major, ordered by how near their tempo is to 120 BPM. A calculation, not a recommendation.
All songs in A majorAll songs at 120 BPMA major at 110–119 BPMMiles Davis
MusicBrainz collapses 42 recording ids into this one. Recording id d9bfa893-1fc6-4a10-ab08-70080173846d.