Norah Jones · Come Away With Me
Shoot the Moon
Shoot the Moon is in C major at 149.3 beats per minute.
Tempo
149 BPM · Allegromedian of 166 analyses · 149.2–150.5 across the middle eight tenths- Key
- C majorno sharps and no flats · the key most of the analyses agreed on
- Agreement
- 97%share of analyses that agreed
- Analyses
- 166people who ran the extractor
- One beat
- 401.9milliseconds, 60,000 ÷ BPM
- Tuning
- 440.8Hz · +3 cents from A 440
- Dynamics
- 5.24dB the level wanders from its average
- Loudness
- 0.491Essentia's 0–1 scale, not dB
- Danceability
- 0.995Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
166 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 166 readings; 97% of them land within 2% of it, and the middle eight tenths of them run from 149.2 to 150.5 BPM.
At 149.3 BPM one beat lasts 401.9 milliseconds, so a sixteenth note is 100.5 ms and a dotted eighth 301.4 ms — the delay times for this recording. Counted half as fast it is 74.7 BPM, counted twice as fast 298.6. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 440.8 Hz, which is 3 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.24 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.491 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C major
Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 149 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1607.5 | 0.62 |
| Half note | 2 | 803.8 | 1.24 |
| Dotted quarter | 1.5 | 602.8 | 1.66 |
| Quarter note (one beat) | 1 | 401.9 | 2.49 |
| Quarter triplet | 0.667 | 267.9 | 3.73 |
| Dotted eighth | 0.75 | 301.4 | 3.32 |
| Eighth note | 0.5 | 200.9 | 4.98 |
| Eighth triplet | 0.333 | 134 | 7.47 |
| Dotted sixteenth | 0.375 | 150.7 | 6.64 |
| Sixteenth note | 0.25 | 100.5 | 9.95 |
| Sixteenth triplet | 0.167 | 67 | 14.93 |
| Thirty-second note | 0.125 | 50.2 | 19.91 |
Half time 74.7 BPM · double time 298.6 BPM. Every row is one beat (401.9 ms) times the fraction in the second column.
Closest in key and tempo
- Hey BartenderBlues BrothersC major149BPM
- RunSnow PatrolC major149BPM
- Can’t Stop Rockin’ZZ TopC major149BPM
- Be Good to YourselfJourneyC major149BPM
- Between Two LungsFlorence + the MachineC major150BPM
- Deuces Are WildAerosmithC major150BPM
- Holding Out for a HeroBonnie TylerC major150BPM
- The TroublesU2C major150BPM
- Pass the DutchieMusical YouthC major150BPM
- Uma ThurmanFall Out BoyC major150BPM
Recordings in C major, ordered by how near their tempo is to 149 BPM. A calculation, not a recommendation.
All songs in C majorAll songs at 149 BPMC major at 140–149 BPMNorah Jones
MusicBrainz collapses 5 recording ids into this one. Recording id 3eeb9a69-7a1b-4256-b207-ba0a53f4b55c.