Ozzy Osbourne · No More Tears
No More Tears
No More Tears is in D flat major at 103.2 beats per minute.
Tempo
103 BPM · Andantemedian of 176 analyses · 103.1–103.3 across the middle eight tenths- Key
- D♭ major5 flats · the key most of the analyses agreed on
- Agreement
- 89%share of analyses that agreed
- Analyses
- 176people who ran the extractor
- One beat
- 581.4milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 2.79dB the level wanders from its average
- Loudness
- 0.797Essentia's 0–1 scale, not dB
- Danceability
- 1.171Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
176 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 89% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 176 readings; 98% of them land within 2% of it, and they barely differ at all.
At 103.2 BPM one beat lasts 581.4 milliseconds, so a sixteenth note is 145.3 ms and a dotted eighth 436 ms — the delay times for this recording. Counted half as fast it is 51.6 BPM, counted twice as fast 206.4. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 2.79 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.797 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D♭ major
Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 103 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2325.6 | 0.43 |
| Half note | 2 | 1162.8 | 0.86 |
| Dotted quarter | 1.5 | 872.1 | 1.15 |
| Quarter note (one beat) | 1 | 581.4 | 1.72 |
| Quarter triplet | 0.667 | 387.6 | 2.58 |
| Dotted eighth | 0.75 | 436 | 2.29 |
| Eighth note | 0.5 | 290.7 | 3.44 |
| Eighth triplet | 0.333 | 193.8 | 5.16 |
| Dotted sixteenth | 0.375 | 218 | 4.59 |
| Sixteenth note | 0.25 | 145.3 | 6.88 |
| Sixteenth triplet | 0.167 | 96.9 | 10.32 |
| Thirty-second note | 0.125 | 72.7 | 13.76 |
Half time 51.6 BPM · double time 206.4 BPM. Every row is one beat (581.4 ms) times the fraction in the second column.
Closest in key and tempo
- StarstruckLady Gaga feat. Space Cowboy and Flo RidaD♭ major103BPM
- Little TalksOf Monsters and MenD♭ major103BPM
- My WorldAvril LavigneD♭ major103BPM
- Storms in AfricaEnyaD♭ major104BPM
- SouvenirOrchestral Manœuvres in the DarkD♭ major103BPM
- RiptideVance JoyD♭ major103BPM
- UnbelievableEMFD♭ major104BPM
- I Know You Got SoulEric B. & RakimD♭ major104BPM
- Soul InspirationAnita BakerD♭ major104BPM
- The GridDaft PunkD♭ major102BPM
Recordings in D flat major, ordered by how near their tempo is to 103 BPM. A calculation, not a recommendation.
All songs in D flat majorAll songs at 103 BPMD♭ major at 100–109 BPMOzzy Osbourne
MusicBrainz collapses 29 recording ids into this one. Recording id d89e522a-1a3b-4e17-8038-a35d9a79e9ca.