Phil Collins · Hello, I Must Be Going!

You Can’t Hurry Love

You Can’t Hurry Love is in G major at 97.6 beats per minute.

Tempo

98 BPM · Andantemedian of 295 analyses · 97.3–103.4 across the middle eight tenths

Key: G major1 sharp · the key most of the analyses agreed on
Agreement: 92%share of analyses that agreed
Analyses: 295people who ran the extractor
One beat: 614.8milliseconds, 60,000 ÷ BPM
Tuning: 437Hz · -12 cents from A 440
Dynamics: 3.57dB the level wanders from its average
Loudness: 0.972Essentia's 0–1 scale, not dB
Danceability: 1.393Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

295 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 92% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 295 readings; 85% of them land within 2% of it, and the middle eight tenths of them run from 97.3 to 103.4 BPM.

At 97.6 BPM one beat lasts 614.8 milliseconds, so a sixteenth note is 153.7 ms and a dotted eighth 461.1 ms — the delay times for this recording. Counted half as fast it is 48.8 BPM, counted twice as fast 195.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 437 Hz, which is 12 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.57 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.972 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 98 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	2459	0.41
Half note	2	1229.5	0.81
Dotted quarter	1.5	922.1	1.08
Quarter note (one beat)	1	614.8	1.63
Quarter triplet	0.667	409.8	2.44
Dotted eighth	0.75	461.1	2.17
Eighth note	0.5	307.4	3.25
Eighth triplet	0.333	204.9	4.88
Dotted sixteenth	0.375	230.5	4.34
Sixteenth note	0.25	153.7	6.51
Sixteenth triplet	0.167	102.5	9.76
Thirty-second note	0.125	76.8	13.01

Half time 48.8 BPM · double time 195.2 BPM. Every row is one beat (614.8 ms) times the fraction in the second column.

The same title by somebody else

You Can’t Hurry LoveThe SupremesB♭ major97BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

Recordings in G major, ordered by how near their tempo is to 98 BPM. A calculation, not a recommendation.

All songs in G major All songs at 98 BPM G major at 90–99 BPM Phil Collins

MusicBrainz collapses 29 recording ids into this one. Recording id 4010de72-311f-4868-b955-2940f3da433c.