TempoPeek

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Glad to See You Go

Glad to See You Go is in A major at 95.2 beats per minute.

4080120160200

Tempo

95 BPM · Andantemedian of 139 analyses · 94.9–95.3 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
74%share of analyses that agreed
Analyses
139people who ran the extractor
One beat
630.3milliseconds, 60,000 ÷ BPM
Tuning
438.7Hz · -5 cents from A 440
Dynamics
2.67dB the level wanders from its average
Loudness
0.963Essentia's 0–1 scale, not dB
Danceability
1.338Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

139 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 74% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 139 readings; 100% of them land within 2% of it, and they barely differ at all.

At 95.2 BPM one beat lasts 630.3 milliseconds, so a sixteenth note is 157.6 ms and a dotted eighth 472.7 ms — the delay times for this recording. Counted half as fast it is 47.6 BPM, counted twice as fast 190.4. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 438.7 Hz, which is 5 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.67 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.963 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 95 BPM

Note valueBeatsMillisecondsHertz
Whole note425210.4
Half note21260.50.79
Dotted quarter1.5945.41.06
Quarter note (one beat)1630.31.59
Quarter triplet0.667420.22.38
Dotted eighth0.75472.72.12
Eighth note0.5315.13.17
Eighth triplet0.333210.14.76
Dotted sixteenth0.375236.34.23
Sixteenth note0.25157.66.35
Sixteenth triplet0.1671059.52
Thirty-second note0.12578.812.69

Half time 47.6 BPM · double time 190.4 BPM. Every row is one beat (630.3 ms) times the fraction in the second column.

Closest in key and tempo

  1. Just FriendsAmy WinehouseA major95BPM
  2. Lay Down SallyEric ClaptonA major95BPM
  3. Help!The BeatlesA major95BPM
  4. I Feel FreeFoo FightersA major95BPM
  5. Got a Lot to SayRamonesA major95BPM
  6. So Long, MarianneLeonard CohenA major95BPM
  7. Fuck the World2PacA major96BPM
  8. Rock and Roll Ain’t Noise PollutionAC/DCA major95BPM
  9. Blue SkyThe Allman Brothers BandA major95BPM
  10. Breaking GlassDavid BowieA major95BPM

Recordings in A major, ordered by how near their tempo is to 95 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 95 BPMA major at 90–99 BPMRamones

MusicBrainz collapses 35 recording ids into this one. Recording id 045f7963-3392-4e83-a561-1388dc0d41d2.