TempoPeek

Ramones · Leave Home

I Remember You

I Remember You is in B major at 143.6 beats per minute.

4080120160200

Tempo

144 BPM · Allegromedian of 148 analyses · 143.5–143.7 across the middle eight tenths
Key
B major5 sharps · the key most of the analyses agreed on
Agreement
95%share of analyses that agreed
Analyses
148people who ran the extractor
One beat
417.8milliseconds, 60,000 ÷ BPM
Tuning
439.1Hz · -3.5 cents from A 440
Dynamics
2.44dB the level wanders from its average
Loudness
0.961Essentia's 0–1 scale, not dB
Danceability
1.229Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

148 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 95% — put it in B major, a key signature of 5 sharps. The tempo printed above is the median of the 148 readings; 97% of them land within 2% of it, and they barely differ at all.

At 143.6 BPM one beat lasts 417.8 milliseconds, so a sixteenth note is 104.5 ms and a dotted eighth 313.4 ms — the delay times for this recording. Counted half as fast it is 71.8 BPM, counted twice as fast 287.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.1 Hz, which is 3.5 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.44 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.961 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with B major

Each of these differs from B major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 144 BPM

Note valueBeatsMillisecondsHertz
Whole note41671.30.6
Half note2835.71.2
Dotted quarter1.5626.71.6
Quarter note (one beat)1417.82.39
Quarter triplet0.667278.63.59
Dotted eighth0.75313.43.19
Eighth note0.5208.94.79
Eighth triplet0.333139.37.18
Dotted sixteenth0.375156.76.38
Sixteenth note0.25104.59.57
Sixteenth triplet0.16769.614.36
Thirty-second note0.12552.219.15

Half time 71.8 BPM · double time 287.2 BPM. Every row is one beat (417.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. Spiral ArchitectBlack SabbathB major143BPM
  2. Dead on TimeQueenB major143BPM
  3. I Don’t Like MondaysThe Boomtown RatsB major144BPM
  4. Swallowed in the SeaColdplayB major142BPM
  5. Flora’s SecretEnyaB major142BPM
  6. Gone Too SoonMichael JacksonB major145BPM
  7. You Can Let GoBackstreet BoysB major146BPM
  8. Out ta Get MeGuns N’ RosesB major141BPM
  9. Sysyphus, Part 4Richard WrightB major140BPM
  10. I Don’t Want to KnowFleetwood MacB major140BPM

Recordings in B major, ordered by how near their tempo is to 144 BPM. A calculation, not a recommendation.

All songs in B majorAll songs at 144 BPMB major at 140–149 BPMRamones

MusicBrainz collapses 13 recording ids into this one. Recording id dc2b4c62-5db4-4aa3-a1f4-4dedf4500ef3.