TempoPeek

Sam Cooke · Night Beat

Lost and Lookin’

Lost and Lookin’ is in C minor at 147.7 beats per minute.

4080120160200

Tempo

148 BPM · Allegromedian of 131 analyses · 129.5–147.7 across the middle eight tenths
Key
C minor3 flats · the key most of the analyses agreed on
Agreement
73%share of analyses that agreed
Analyses
131people who ran the extractor
One beat
406.2milliseconds, 60,000 ÷ BPM
Tuning
436Hz · -16 cents from A 440
Dynamics
8.33dB the level wanders from its average
Loudness
0.446Essentia's 0–1 scale, not dB
Danceability
0.945Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

131 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 73% — put it in C minor, a key signature of 3 flats. The tempo printed above is the median of the 131 readings; 66% of them land within 2% of it, and the middle eight tenths of them run from 129.5 to 147.7 BPM.

At 147.7 BPM one beat lasts 406.2 milliseconds, so a sixteenth note is 101.6 ms and a dotted eighth 304.7 ms — the delay times for this recording. Counted half as fast it is 73.9 BPM, counted twice as fast 295.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 436 Hz, which is 16 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 8.33 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.446 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C minor

Each of these differs from C minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 148 BPM

Note valueBeatsMillisecondsHertz
Whole note41624.90.62
Half note2812.51.23
Dotted quarter1.5609.31.64
Quarter note (one beat)1406.22.46
Quarter triplet0.667270.83.69
Dotted eighth0.75304.73.28
Eighth note0.5203.14.92
Eighth triplet0.333135.47.39
Dotted sixteenth0.375152.36.56
Sixteenth note0.25101.69.85
Sixteenth triplet0.16767.714.77
Thirty-second note0.12550.819.69

Half time 73.9 BPM · double time 295.4 BPM. Every row is one beat (406.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. OverPortisheadC minor148BPM
  2. Dark LadyCherC minor147BPM
  3. BiologicalAirC minor150BPM
  4. Be With YouBeyoncéC minor150BPM
  5. Heat MiserMassive AttackC minor150BPM
  6. High HopesPink FloydC minor150BPM
  7. Breakfast in AmericaSupertrampC minor151BPM
  8. No Good (Start the Dance)The ProdigyC minor145BPM
  9. SkyfallAdeleC minor151BPM
  10. A New Machine, Part 1Pink FloydC minor151BPM

Recordings in C minor, ordered by how near their tempo is to 148 BPM. A calculation, not a recommendation.

All songs in C minorAll songs at 148 BPMC minor at 140–149 BPMSam Cooke

MusicBrainz collapses 1 recording id into this one. Recording id 2652c0a8-3356-4234-bcdc-354fe2ff86b4.