Santana · Santana
Everybody’s Everything
Everybody’s Everything is in F major at 138.4 beats per minute.
Tempo
138 BPM · Allegromedian of 242 analyses · 137.5–138.6 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 60%share of analyses that agreed
- Analyses
- 242people who ran the extractor
- One beat
- 433.5milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.03dB the level wanders from its average
- Loudness
- 0.926Essentia's 0–1 scale, not dB
- Danceability
- 1.116Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
242 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 60% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 242 readings; 100% of them land within 2% of it, and the middle eight tenths of them run from 137.5 to 138.6 BPM.
At 138.4 BPM one beat lasts 433.5 milliseconds, so a sixteenth note is 108.4 ms and a dotted eighth 325.1 ms — the delay times for this recording. Counted half as fast it is 69.2 BPM, counted twice as fast 276.8. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.03 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.926 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 138 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1734.1 | 0.58 |
| Half note | 2 | 867.1 | 1.15 |
| Dotted quarter | 1.5 | 650.3 | 1.54 |
| Quarter note (one beat) | 1 | 433.5 | 2.31 |
| Quarter triplet | 0.667 | 289 | 3.46 |
| Dotted eighth | 0.75 | 325.1 | 3.08 |
| Eighth note | 0.5 | 216.8 | 4.61 |
| Eighth triplet | 0.333 | 144.5 | 6.92 |
| Dotted sixteenth | 0.375 | 162.6 | 6.15 |
| Sixteenth note | 0.25 | 108.4 | 9.23 |
| Sixteenth triplet | 0.167 | 72.3 | 13.84 |
| Thirty-second note | 0.125 | 54.2 | 18.45 |
Half time 69.2 BPM · double time 276.8 BPM. Every row is one beat (433.5 ms) times the fraction in the second column.
Closest in key and tempo
- Little Lion ManMumford & SonsF major139BPM
- Miles to Go (Before I Sleep)Céline DionF major139BPM
- TamePixiesF major139BPM
- WinDavid BowieF major139BPM
- GirlsBeastie BoysF major139BPM
- Shades of CoolLana Del ReyF major137BPM
- Low RiderWarF major140BPM
- SmoochMiles Davis QuartetF major140BPM
- Border Song (Holy Moses)Aretha FranklinF major140BPM
- MotherboardDaft PunkF major137BPM
Recordings in F major, ordered by how near their tempo is to 138 BPM. A calculation, not a recommendation.
All songs in F majorAll songs at 138 BPMF major at 130–139 BPMSantana
MusicBrainz collapses 16 recording ids into this one. Recording id 5528c2c5-afe2-4117-9680-a7845bea8b81.