Santana · Abraxas
Se a cabo
Se a cabo is in B flat major at 136.8 beats per minute.
Tempo
137 BPM · Allegromedian of 190 analyses · 136.6–137 across the middle eight tenths- Key
- B♭ major2 flats · the key most of the analyses agreed on
- Agreement
- 98%share of analyses that agreed
- Analyses
- 190people who ran the extractor
- One beat
- 438.6milliseconds, 60,000 ÷ BPM
- Tuning
- 439.7Hz · -1 cents from A 440
- Dynamics
- 3.71dB the level wanders from its average
- Loudness
- 0.86Essentia's 0–1 scale, not dB
- Danceability
- 1.135Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
190 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in B flat major, a key signature of 2 flats. The tempo printed above is the median of the 190 readings; 92% of them land within 2% of it, and they barely differ at all.
At 136.8 BPM one beat lasts 438.6 milliseconds, so a sixteenth note is 109.6 ms and a dotted eighth 328.9 ms — the delay times for this recording. Counted half as fast it is 68.4 BPM, counted twice as fast 273.6. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439.7 Hz, which is 1 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.71 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.86 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ major
Each of these differs from B♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 137 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1754.4 | 0.57 |
| Half note | 2 | 877.2 | 1.14 |
| Dotted quarter | 1.5 | 657.9 | 1.52 |
| Quarter note (one beat) | 1 | 438.6 | 2.28 |
| Quarter triplet | 0.667 | 292.4 | 3.42 |
| Dotted eighth | 0.75 | 328.9 | 3.04 |
| Eighth note | 0.5 | 219.3 | 4.56 |
| Eighth triplet | 0.333 | 146.2 | 6.84 |
| Dotted sixteenth | 0.375 | 164.5 | 6.08 |
| Sixteenth note | 0.25 | 109.6 | 9.12 |
| Sixteenth triplet | 0.167 | 73.1 | 13.68 |
| Thirty-second note | 0.125 | 54.8 | 18.24 |
Half time 68.4 BPM · double time 273.6 BPM. Every row is one beat (438.6 ms) times the fraction in the second column.
Closest in key and tempo
- Evil Woman (Don’t Play Your Games With Me)Black SabbathB♭ major137BPM
- Green OnionsBooker T. & the MG’sB♭ major137BPM
- Come Fly With MeFrank SinatraB♭ major137BPM
- Rocket Man (I Think It’s Going to Be a Long, Long Time)Elton JohnB♭ major137BPM
- IdiotequeRadioheadB♭ major138BPM
- What You Waiting For?Gwen StefaniB♭ major136BPM
- HonestyBilly JoelB♭ major136BPM
- This Is What Makes Us GirlsLana Del ReyB♭ major138BPM
- Charlie BrownColdplayB♭ major138BPM
- RoxanneThe PoliceB♭ major136BPM
Recordings in B flat major, ordered by how near their tempo is to 137 BPM. A calculation, not a recommendation.
All songs in B flat majorAll songs at 137 BPMB♭ major at 130–139 BPMSantana
MusicBrainz collapses 27 recording ids into this one. Recording id 70f949d6-2088-4c5d-97d9-1ef2d3f81fcf.