Soulja Boy Tell ’Em · Souljaboytellem.com
Crank That (Soulja Boy)
Crank That (Soulja Boy) is in C minor at 140 beats per minute.
Tempo
140 BPM · Allegromedian of 133 analyses · 139.9–140.1 across the middle eight tenths- Key
- C minor3 flats · the key most of the analyses agreed on
- Agreement
- 74%share of analyses that agreed
- Analyses
- 133people who ran the extractor
- One beat
- 428.6milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3dB the level wanders from its average
- Loudness
- 0.938Essentia's 0–1 scale, not dB
- Danceability
- 1.181Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
133 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 74% — put it in C minor, a key signature of 3 flats. The tempo printed above is the median of the 133 readings; 93% of them land within 2% of it, and they barely differ at all.
At 140 BPM one beat lasts 428.6 milliseconds, so a sixteenth note is 107.1 ms and a dotted eighth 321.4 ms — the delay times for this recording. Counted half as fast it is 70 BPM, counted twice as fast 280. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.938 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C minor
Each of these differs from C minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 140 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1714.3 | 0.58 |
| Half note | 2 | 857.1 | 1.17 |
| Dotted quarter | 1.5 | 642.9 | 1.56 |
| Quarter note (one beat) | 1 | 428.6 | 2.33 |
| Quarter triplet | 0.667 | 285.7 | 3.5 |
| Dotted eighth | 0.75 | 321.4 | 3.11 |
| Eighth note | 0.5 | 214.3 | 4.67 |
| Eighth triplet | 0.333 | 142.9 | 7 |
| Dotted sixteenth | 0.375 | 160.7 | 6.22 |
| Sixteenth note | 0.25 | 107.1 | 9.33 |
| Sixteenth triplet | 0.167 | 71.4 | 14 |
| Thirty-second note | 0.125 | 53.6 | 18.67 |
Half time 70 BPM · double time 280 BPM. Every row is one beat (428.6 ms) times the fraction in the second column.
Closest in key and tempo
- Tainted LoveMarilyn MansonC minor142BPM
- Keine LustRammsteinC minor138BPM
- Break & EnterThe ProdigyC minor138BPM
- ToxicBritney SpearsC minor143BPM
- LowFoo FightersC minor144BPM
- A Question of TimeDepeche ModeC minor136BPM
- This Is Where You Can Reach Me NowU2C minor144BPM
- A Lack of ColorDeath Cab for CutieC minor136BPM
- Yeat’s GraveThe CranberriesC minor136BPM
- No Good (Start the Dance)The ProdigyC minor145BPM
Recordings in C minor, ordered by how near their tempo is to 140 BPM. A calculation, not a recommendation.
All songs in C minorAll songs at 140 BPMC minor at 140–149 BPM
MusicBrainz collapses 9 recording ids into this one. Recording id 6fbf7d06-5ceb-438d-a071-e33077ebcde9.