The Beatles · With The Beatles
All My Loving
All My Loving is in C sharp minor at 154.9 beats per minute.
Tempo
155 BPM · Allegromedian of 395 analyses · 154.8–155.2 across the middle eight tenths- Key
- C♯ minor4 sharps · the key most of the analyses agreed on
- Agreement
- 64%share of analyses that agreed
- Analyses
- 395people who ran the extractor
- One beat
- 387.3milliseconds, 60,000 ÷ BPM
- Tuning
- 437.7Hz · -9 cents from A 440
- Dynamics
- 2.46dB the level wanders from its average
- Loudness
- 0.964Essentia's 0–1 scale, not dB
- Danceability
- 1.046Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
395 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 64% — put it in C sharp minor, a key signature of 4 sharps. The tempo printed above is the median of the 395 readings; 99% of them land within 2% of it, and they barely differ at all.
At 154.9 BPM one beat lasts 387.3 milliseconds, so a sixteenth note is 96.8 ms and a dotted eighth 290.5 ms — the delay times for this recording. Counted half as fast it is 77.5 BPM, counted twice as fast 309.8. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 437.7 Hz, which is 9 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 2.46 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.964 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C sharp minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C♯ minor
Each of these differs from C♯ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 155 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1549.4 | 0.65 |
| Half note | 2 | 774.7 | 1.29 |
| Dotted quarter | 1.5 | 581 | 1.72 |
| Quarter note (one beat) | 1 | 387.3 | 2.58 |
| Quarter triplet | 0.667 | 258.2 | 3.87 |
| Dotted eighth | 0.75 | 290.5 | 3.44 |
| Eighth note | 0.5 | 193.7 | 5.16 |
| Eighth triplet | 0.333 | 129.1 | 7.75 |
| Dotted sixteenth | 0.375 | 145.3 | 6.88 |
| Sixteenth note | 0.25 | 96.8 | 10.33 |
| Sixteenth triplet | 0.167 | 64.6 | 15.49 |
| Thirty-second note | 0.125 | 48.4 | 20.65 |
Half time 77.5 BPM · double time 309.8 BPM. Every row is one beat (387.3 ms) times the fraction in the second column.
Closest in key and tempo
- I. Flight of the NavigatorChildish GambinoC♯ minor155BPM
- Revolution RockThe ClashC♯ minor156BPM
- Whole Lotta RosieAC/DCC♯ minor156BPM
- Search and DestroyIggy and The StoogesC♯ minor153BPM
- Violet HillColdplayC♯ minor152BPM
- Children of the GraveBlack SabbathC♯ minor151BPM
- Liquor Store BluesBruno Mars feat. Damian MarleyC♯ minor151BPM
- Spinning the WheelGeorge MichaelC♯ minor150BPM
- It’s Not Up to YouBjörkC♯ minor162BPM
- Gwely MernansAphex TwinC♯ minor162BPM
Recordings in C sharp minor, ordered by how near their tempo is to 155 BPM. A calculation, not a recommendation.
All songs in C sharp minorAll songs at 155 BPMC♯ minor at 150–159 BPMThe Beatles
MusicBrainz collapses 142 recording ids into this one. Recording id be5761a7-d99a-44e8-96a4-904b490f7061.