TempoPeek

The Beatles · Revolver

Got to Get You Into My Life

Got to Get You Into My Life is in G major at 136.6 beats per minute.

4080120160200

Tempo

137 BPM · Allegromedian of 229 analyses · 136.3–136.7 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
98%share of analyses that agreed
Analyses
229people who ran the extractor
One beat
439.2milliseconds, 60,000 ÷ BPM
Tuning
441Hz · +4 cents from A 440
Dynamics
4dB the level wanders from its average
Loudness
0.872Essentia's 0–1 scale, not dB
Danceability
1.01Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

229 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 229 readings; 100% of them land within 2% of it, and they barely differ at all.

At 136.6 BPM one beat lasts 439.2 milliseconds, so a sixteenth note is 109.8 ms and a dotted eighth 329.4 ms — the delay times for this recording. Counted half as fast it is 68.3 BPM, counted twice as fast 273.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441 Hz, which is 4 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.872 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 137 BPM

Note valueBeatsMillisecondsHertz
Whole note417570.57
Half note2878.51.14
Dotted quarter1.5658.91.52
Quarter note (one beat)1439.22.28
Quarter triplet0.667292.83.42
Dotted eighth0.75329.43.04
Eighth note0.5219.64.55
Eighth triplet0.333146.46.83
Dotted sixteenth0.375164.76.07
Sixteenth note0.25109.89.11
Sixteenth triplet0.16773.213.66
Thirty-second note0.12554.918.21

Half time 68.3 BPM · double time 273.2 BPM. Every row is one beat (439.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Dedicated to the One I LoveThe Mamas & the PapasG major137BPM
  2. Uncle John’s BandGrateful DeadG major137BPM
  3. All Day and All of the NightThe KinksG major137BPM
  4. Morning GloryOasisG major137BPM
  5. Cherche encoreCéline DionG major136BPM
  6. Father and SonCat StevensG major136BPM
  7. From This Moment OnShania Twain feat. Bryan WhiteG major136BPM
  8. The Boy in the BubblePaul SimonG major136BPM
  9. Hold OnGreen DayG major136BPM
  10. Little SavageElvis Costello & The AttractionsG major136BPM

Recordings in G major, ordered by how near their tempo is to 137 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 137 BPMG major at 130–139 BPMThe Beatles

MusicBrainz collapses 27 recording ids into this one. Recording id 94daa927-6dbf-4a62-b6a5-77dd10e05be0.