TempoPeek

The Beatles · Revolver

Here, There and Everywhere

Here, There and Everywhere is in G major at 82.7 beats per minute.

4080120160200

Tempo

83 BPM · Andantemedian of 263 analyses · 82.6–82.9 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
96%share of analyses that agreed
Analyses
263people who ran the extractor
One beat
725.5milliseconds, 60,000 ÷ BPM
Tuning
436.2Hz · -15 cents from A 440
Dynamics
3.38dB the level wanders from its average
Loudness
0.788Essentia's 0–1 scale, not dB
Danceability
0.976Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

263 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 263 readings; 97% of them land within 2% of it, and they barely differ at all.

At 82.7 BPM one beat lasts 725.5 milliseconds, so a sixteenth note is 181.4 ms and a dotted eighth 544.1 ms — the delay times for this recording. Counted half as fast it is 41.4 BPM, counted twice as fast 165.4. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 436.2 Hz, which is 15 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.38 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.788 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 83 BPM

Note valueBeatsMillisecondsHertz
Whole note42902.10.34
Half note214510.69
Dotted quarter1.51088.30.92
Quarter note (one beat)1725.51.38
Quarter triplet0.667483.72.07
Dotted eighth0.75544.11.84
Eighth note0.5362.82.76
Eighth triplet0.333241.84.14
Dotted sixteenth0.375272.13.68
Sixteenth note0.25181.45.51
Sixteenth triplet0.167120.98.27
Thirty-second note0.12590.711.03

Half time 41.4 BPM · double time 165.4 BPM. Every row is one beat (725.5 ms) times the fraction in the second column.

Closest in key and tempo

  1. The Best Damn ThingAvril LavigneG major83BPM
  2. Young AmericansDavid BowieG major84BPM
  3. Red 2 GoDanny BrownG major84BPM
  4. Winter WindsMumford & SonsG major84BPM
  5. WordsBee GeesG major81BPM
  6. Stable SongDeath Cab for CutieG major84BPM
  7. HummerSmashing PumpkinsG major84BPM
  8. Sullivan StreetCounting CrowsG major81BPM
  9. RecoverCHVRCHESG major85BPM
  10. Anna BeginsCounting CrowsG major85BPM

Recordings in G major, ordered by how near their tempo is to 83 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 83 BPMG major at 80–89 BPMThe Beatles

MusicBrainz collapses 44 recording ids into this one. Recording id 0bc0d92b-5b30-4f51-9da0-6164bbf7f448.