The Clash · London Calling
Koka Kola
Koka Kola is in G major at 162.6 beats per minute.
Tempo
163 BPM · Vivacemedian of 150 analyses · 162.3–162.8 across the middle eight tenths- Key
- G major1 sharp · the key most of the analyses agreed on
- Agreement
- 93%share of analyses that agreed
- Analyses
- 150people who ran the extractor
- One beat
- 369milliseconds, 60,000 ÷ BPM
- Tuning
- 436Hz · -16 cents from A 440
- Dynamics
- 4.06dB the level wanders from its average
- Loudness
- 0.951Essentia's 0–1 scale, not dB
- Danceability
- 1.255Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
150 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 93% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 150 readings; 100% of them land within 2% of it, and they barely differ at all.
At 162.6 BPM one beat lasts 369 milliseconds, so a sixteenth note is 92.3 ms and a dotted eighth 276.8 ms — the delay times for this recording. Counted half as fast it is 81.3 BPM, counted twice as fast 325.2. A score would mark that Vivace, by the ranges this site uses.
The analyses put the reference pitch of the recording at 436 Hz, which is 16 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.06 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.951 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G major
Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 163 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1476 | 0.68 |
| Half note | 2 | 738 | 1.36 |
| Dotted quarter | 1.5 | 553.5 | 1.81 |
| Quarter note (one beat) | 1 | 369 | 2.71 |
| Quarter triplet | 0.667 | 246 | 4.07 |
| Dotted eighth | 0.75 | 276.8 | 3.61 |
| Eighth note | 0.5 | 184.5 | 5.42 |
| Eighth triplet | 0.333 | 123 | 8.13 |
| Dotted sixteenth | 0.375 | 138.4 | 7.23 |
| Sixteenth note | 0.25 | 92.3 | 10.84 |
| Sixteenth triplet | 0.167 | 61.5 | 16.26 |
| Thirty-second note | 0.125 | 46.1 | 21.68 |
Half time 81.3 BPM · double time 325.2 BPM. Every row is one beat (369 ms) times the fraction in the second column.
Closest in key and tempo
- OhioCrosby, Stills, Nash & YoungG major163BPM
- Princes of the UniverseQueenG major163BPM
- The TrooperIron MaidenG major163BPM
- Driver 8R.E.M.G major162BPM
- Sugar, We’re Goin DownFall Out BoyG major162BPM
- Play for TodayThe CureG major162BPM
- Dazed and ConfusedLed ZeppelinG major163BPM
- I’m a BelieverThe MonkeesG major162BPM
- Love in VainThe Rolling StonesG major163BPM
- So LongABBAG major162BPM
Recordings in G major, ordered by how near their tempo is to 163 BPM. A calculation, not a recommendation.
All songs in G majorAll songs at 163 BPMG major at 160–169 BPMThe Clash
MusicBrainz collapses 20 recording ids into this one. Recording id b7b519ff-66a9-4768-b9d2-1e527b091b7d.