The Clash · London Calling

The Guns of Brixton

The Guns of Brixton is in B minor at 96.5 beats per minute.

4080120160200

Tempo

97 BPM · Andantemedian of 197 analyses · 95.5–96.6 across the middle eight tenths
Key
B minor2 sharps · the key most of the analyses agreed on
Agreement
96%share of analyses that agreed
Analyses
197people who ran the extractor
One beat
621.8milliseconds, 60,000 ÷ BPM
Tuning
439.5Hz · -2 cents from A 440
Dynamics
4.19dB the level wanders from its average
Loudness
0.941Essentia's 0–1 scale, not dB
Danceability
1.55Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

197 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in B minor, a key signature of 2 sharps. The tempo printed above is the median of the 197 readings; 91% of them land within 2% of it, and the middle eight tenths of them run from 95.5 to 96.6 BPM.

At 96.5 BPM one beat lasts 621.8 milliseconds, so a sixteenth note is 155.4 ms and a dotted eighth 466.3 ms — the delay times for this recording. Counted half as fast it is 48.3 BPM, counted twice as fast 193. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.5 Hz, which is 2 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.19 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.941 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with B minor

Each of these differs from B minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 97 BPM

Note valueBeatsMillisecondsHertz
Whole note424870.4
Half note21243.50.8
Dotted quarter1.5932.61.07
Quarter note (one beat)1621.81.61
Quarter triplet0.667414.52.41
Dotted eighth0.75466.32.14
Eighth note0.5310.93.22
Eighth triplet0.333207.34.83
Dotted sixteenth0.375233.24.29
Sixteenth note0.25155.46.43
Sixteenth triplet0.167103.69.65
Thirty-second note0.12577.712.87

Half time 48.3 BPM · double time 193 BPM. Every row is one beat (621.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. BusinessEminemB minor96BPM
  2. Blister in the SunViolent FemmesB minor97BPM
  3. I’m Gettin’ Money2PacB minor96BPM
  4. R U Mine?Arctic MonkeysB minor97BPM
  5. Crumbling CastleKing Gizzard & the Lizard WizardB minor97BPM
  6. Don’t Turn AroundAce of BaseB minor96BPM
  7. Word on a WingDavid BowieB minor98BPM
  8. Not for MeBackstreet BoysB minor94BPM
  9. The Watcher 2Jay‐Z feat. Dr. Dre, Rakim & Truth HurtsB minor99BPM
  10. KarmaBlack Eyed PeasB minor94BPM

Recordings in B minor, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.

All songs in B minorAll songs at 97 BPMB minor at 90–99 BPMThe Clash

MusicBrainz collapses 31 recording ids into this one. Recording id 6653886f-7d45-40bd-bb6c-51cc5895e022.