The Cranberries · To the Faithful Departed

Bosnia

Bosnia is in F major at 163.5 beats per minute.

4080120160200

Tempo

164 BPM · Vivacemedian of 140 analyses · 162.6–184.6 across the middle eight tenths
Key
F major1 flat · the key most of the analyses agreed on
Agreement
87%share of analyses that agreed
Analyses
140people who ran the extractor
One beat
367milliseconds, 60,000 ÷ BPM
Tuning
441.3Hz · +5 cents from A 440
Dynamics
6.35dB the level wanders from its average
Loudness
0.45Essentia's 0–1 scale, not dB
Danceability
0.902Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

140 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 87% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 140 readings; 79% of them land within 2% of it, and the middle eight tenths of them run from 162.6 to 184.6 BPM.

At 163.5 BPM one beat lasts 367 milliseconds, so a sixteenth note is 91.7 ms and a dotted eighth 275.2 ms — the delay times for this recording. Counted half as fast it is 81.8 BPM, counted twice as fast 327. A score would mark that Vivace, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.3 Hz, which is 5 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.35 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.45 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 164 BPM

Note valueBeatsMillisecondsHertz
Whole note41467.90.68
Half note2733.91.36
Dotted quarter1.5550.51.82
Quarter note (one beat)13672.73
Quarter triplet0.667244.64.09
Dotted eighth0.75275.23.63
Eighth note0.5183.55.45
Eighth triplet0.333122.38.18
Dotted sixteenth0.375137.67.27
Sixteenth note0.2591.710.9
Sixteenth triplet0.16761.216.35
Thirty-second note0.12545.921.8

Half time 81.8 BPM · double time 327 BPM. Every row is one beat (367 ms) times the fraction in the second column.

Closest in key and tempo

  1. 21 GunsGreen DayF major164BPM
  2. Rosalita (Come Out Tonight)Bruce Springsteen & The E Street BandF major164BPM
  3. TimshelMumford & SonsF major164BPM
  4. Paranoid AndroidRadioheadF major164BPM
  5. The Wind Cries MaryThe Jimi Hendrix ExperienceF major163BPM
  6. Wash.Bon IverF major164BPM
  7. Come Back BabyAretha FranklinF major163BPM
  8. Every Time You Go AwayPaul YoungF major164BPM
  9. Peace TrainCat StevensF major165BPM
  10. Pale Blue EyesThe Velvet UndergroundF major165BPM

Recordings in F major, ordered by how near their tempo is to 164 BPM. A calculation, not a recommendation.

All songs in F majorAll songs at 164 BPMF major at 160–169 BPMThe Cranberries

MusicBrainz collapses 1 recording id into this one. Recording id beae5728-0fed-4e73-b0f9-c1776118d303.