The Cranberries · To the Faithful Departed
Forever Yellow Skies
Forever Yellow Skies is in C minor at 73.1 beats per minute.
Tempo
73 BPM · Adagiomedian of 176 analyses · 73–142.4 across the middle eight tenths- Key
- C minor3 flats · the key most of the analyses agreed on
- Agreement
- 66%share of analyses that agreed
- Analyses
- 176people who ran the extractor
- One beat
- 820.8milliseconds, 60,000 ÷ BPM
- Tuning
- 442Hz · +8 cents from A 440
- Dynamics
- 3.13dB the level wanders from its average
- Loudness
- 0.892Essentia's 0–1 scale, not dB
- Danceability
- 1.144Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
176 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 66% — put it in C minor, a key signature of 3 flats. The tempo printed above is the median of the 176 readings; 67% of them land within 2% of it, and the middle eight tenths of them run from 73 to 142.4 BPM.
At 73.1 BPM one beat lasts 820.8 milliseconds, so a sixteenth note is 205.2 ms and a dotted eighth 615.6 ms — the delay times for this recording. Counted half as fast it is 36.6 BPM, counted twice as fast 146.2. A score would mark that Adagio, by the ranges this site uses.
The analyses put the reference pitch of the recording at 442 Hz, which is 8 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.13 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.892 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C minor
Each of these differs from C minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 73 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 3283.2 | 0.3 |
| Half note | 2 | 1641.6 | 0.61 |
| Dotted quarter | 1.5 | 1231.2 | 0.81 |
| Quarter note (one beat) | 1 | 820.8 | 1.22 |
| Quarter triplet | 0.667 | 547.2 | 1.83 |
| Dotted eighth | 0.75 | 615.6 | 1.62 |
| Eighth note | 0.5 | 410.4 | 2.44 |
| Eighth triplet | 0.333 | 273.6 | 3.65 |
| Dotted sixteenth | 0.375 | 307.8 | 3.25 |
| Sixteenth note | 0.25 | 205.2 | 4.87 |
| Sixteenth triplet | 0.167 | 136.8 | 7.31 |
| Thirty-second note | 0.125 | 102.6 | 9.75 |
Half time 36.6 BPM · double time 146.2 BPM. Every row is one beat (820.8 ms) times the fraction in the second column.
Closest in key and tempo
- Nasty Naughty BoyChristina AguileraC minor75BPM
- Don’t Lose My NumberPhil CollinsC minor81BPM
- Long & LostFlorence + the MachineC minor83BPM
- Spend Some TimeEminem feat. Obie Trice, Stat Quo & 50 CentC minor84BPM
- SolarMiles Davis All StarsC minor84BPM
- Le BalletCéline DionC minor84BPM
- DimensionScannerC minor85BPM
- Ground on DownBen HarperC minor85BPM
- Bitches & SistersJay‐ZC minor87BPM
- You and Your FriendDire StraitsC minor87BPM
Recordings in C minor, ordered by how near their tempo is to 73 BPM. A calculation, not a recommendation.
All songs in C minorThe Cranberries
MusicBrainz collapses 5 recording ids into this one. Recording id d4a9e9d4-aec8-4c96-9b9c-052b3ea68a72.