The Isley Brothers · Twist & Shout!

Twist and Shout

Twist and Shout is in F major at 123.9 beats per minute.

4080120160200

Tempo

124 BPM · Allegromedian of 128 analyses · 123–124.3 across the middle eight tenths
Key
F major1 flat · the key most of the analyses agreed on
Agreement
98%share of analyses that agreed
Analyses
128people who ran the extractor
One beat
484.3milliseconds, 60,000 ÷ BPM
Tuning
446.4Hz · +25 cents from A 440
Dynamics
3.27dB the level wanders from its average
Loudness
0.894Essentia's 0–1 scale, not dB
Danceability
1.25Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

128 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 128 readings; 95% of them land within 2% of it, and the middle eight tenths of them run from 123 to 124.3 BPM.

At 123.9 BPM one beat lasts 484.3 milliseconds, so a sixteenth note is 121.1 ms and a dotted eighth 363.2 ms — the delay times for this recording. Counted half as fast it is 62 BPM, counted twice as fast 247.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 446.4 Hz, which is 25 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.27 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.894 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 124 BPM

Note valueBeatsMillisecondsHertz
Whole note419370.52
Half note2968.51.03
Dotted quarter1.5726.41.38
Quarter note (one beat)1484.32.07
Quarter triplet0.667322.83.1
Dotted eighth0.75363.22.75
Eighth note0.5242.14.13
Eighth triplet0.333161.46.2
Dotted sixteenth0.375181.65.51
Sixteenth note0.25121.18.26
Sixteenth triplet0.16780.712.39
Thirty-second note0.12560.516.52

Half time 62 BPM · double time 247.8 BPM. Every row is one beat (484.3 ms) times the fraction in the second column.

The same title by somebody else

  1. Twist and ShoutThe BeatlesD major126BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. Die Another DayMadonnaF major124BPM
  2. We’ve Gotta Get Out of This PlaceThe AnimalsF major124BPM
  3. Gun (KDA remix)CHVRCHESF major124BPM
  4. Love You ToThe BeatlesF major124BPM
  5. Me TooMeghan TrainorF major124BPM
  6. Get on the FloorMichael JacksonF major124BPM
  7. Livin’ ThingElectric Light OrchestraF major123BPM
  8. TeachersDaft PunkF major123BPM
  9. SubmissionSex PistolsF major123BPM
  10. Baby JaneRod StewartF major123BPM

Recordings in F major, ordered by how near their tempo is to 124 BPM. A calculation, not a recommendation.

All songs in F majorAll songs at 124 BPMF major at 120–129 BPM

MusicBrainz collapses 33 recording ids into this one. Recording id 7c2adafc-2cb6-4419-945b-da0455c24cf2.