TempoPeek

The Killers · Hot Fuss

All These Things That I’ve Done

All These Things That I’ve Done is in F sharp major at 118.2 beats per minute.

4080120160200

Tempo

118 BPM · Moderatomedian of 186 analyses · 118.1–118.2 across the middle eight tenths
Key
F♯ major6 sharps · the key most of the analyses agreed on
Agreement
97%share of analyses that agreed
Analyses
186people who ran the extractor
One beat
507.6milliseconds, 60,000 ÷ BPM
Tuning
444.1Hz · +16 cents from A 440
Dynamics
4.58dB the level wanders from its average
Loudness
0.529Essentia's 0–1 scale, not dB
Danceability
1.056Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

186 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 186 readings; 100% of them land within 2% of it, and they barely differ at all.

At 118.2 BPM one beat lasts 507.6 milliseconds, so a sixteenth note is 126.9 ms and a dotted eighth 380.7 ms — the delay times for this recording. Counted half as fast it is 59.1 BPM, counted twice as fast 236.4. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 444.1 Hz, which is 16 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.58 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.529 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F♯ major

Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 118 BPM

Note valueBeatsMillisecondsHertz
Whole note42030.50.49
Half note21015.20.99
Dotted quarter1.5761.41.31
Quarter note (one beat)1507.61.97
Quarter triplet0.667338.42.96
Dotted eighth0.75380.72.63
Eighth note0.5253.83.94
Eighth triplet0.333169.25.91
Dotted sixteenth0.375190.45.25
Sixteenth note0.25126.97.88
Sixteenth triplet0.16784.611.82
Thirty-second note0.12563.515.76

Half time 59.1 BPM · double time 236.4 BPM. Every row is one beat (507.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. Same Old SceneRoxy MusicF♯ major119BPM
  2. SailAWOLNATIONF♯ major119BPM
  3. Off the WallMichael JacksonF♯ major119BPM
  4. Harm of WillBjörkF♯ major117BPM
  5. Little WingStevie Ray Vaughan and Double TroubleF♯ major117BPM
  6. How Will I KnowWhitney HoustonF♯ major120BPM
  7. AnimalDef LeppardF♯ major120BPM
  8. Like a VirginMadonnaF♯ major120BPM
  9. Moss GardenDavid BowieF♯ major120BPM
  10. MiracleCéline DionF♯ major120BPM

Recordings in F sharp major, ordered by how near their tempo is to 118 BPM. A calculation, not a recommendation.

All songs in F sharp majorAll songs at 118 BPMF♯ major at 110–119 BPMThe Killers

MusicBrainz collapses 67 recording ids into this one. Recording id 2b4c50b4-4aa9-4387-9b18-f17d04410ef7.