TempoPeek

The Real Thing · Real Thing

You to Me Are Everything

You to Me Are Everything is in A minor at 102.4 beats per minute.

4080120160200

Tempo

102 BPM · Andantemedian of 159 analyses · 102.1–104.2 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
69%share of analyses that agreed
Analyses
159people who ran the extractor
One beat
585.9milliseconds, 60,000 ÷ BPM
Tuning
432.7Hz · -29 cents from A 440
Dynamics
3.74dB the level wanders from its average
Loudness
0.899Essentia's 0–1 scale, not dB
Danceability
1.279Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

159 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 69% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 159 readings; 98% of them land within 2% of it, and the middle eight tenths of them run from 102.1 to 104.2 BPM.

At 102.4 BPM one beat lasts 585.9 milliseconds, so a sixteenth note is 146.5 ms and a dotted eighth 439.5 ms — the delay times for this recording. Counted half as fast it is 51.2 BPM, counted twice as fast 204.8. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 432.7 Hz, which is 29 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.74 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.899 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 102 BPM

Note valueBeatsMillisecondsHertz
Whole note42343.80.43
Half note21171.90.85
Dotted quarter1.5878.91.14
Quarter note (one beat)1585.91.71
Quarter triplet0.667390.62.56
Dotted eighth0.75439.52.28
Eighth note0.52933.41
Eighth triplet0.333195.35.12
Dotted sixteenth0.375219.74.55
Sixteenth note0.25146.56.83
Sixteenth triplet0.16797.710.24
Thirty-second note0.12573.213.65

Half time 51.2 BPM · double time 204.8 BPM. Every row is one beat (585.9 ms) times the fraction in the second column.

Closest in key and tempo

  1. Ridiculous ThoughtsThe CranberriesA minor103BPM
  2. 2 Many HoesJay‐ZA minor103BPM
  3. Time to PartyCraig DavidA minor103BPM
  4. CandelaBuena Vista Social ClubA minor102BPM
  5. Request + Line / Empire Strikes BlackBlack Eyed Peas fea. Macy GrayA minor102BPM
  6. Fight Like a BraveThe Red Hot Chili PeppersA minor104BPM
  7. Theme From “Rawhide”Blues BrothersA minor101BPM
  8. Refuse to DanceCéline DionA minor104BPM
  9. Stray HeartGreen DayA minor104BPM
  10. My StyleThe Black Eyed Peas feat. Justin TimberlakeA minor104BPM

Recordings in A minor, ordered by how near their tempo is to 102 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 102 BPMA minor at 100–109 BPM

MusicBrainz collapses 170 recording ids into this one. Recording id bec30aa1-a779-4c0d-90d0-67b5361b7763.