Take It or Leave It

127 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 84% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 127 readings; 91% of them land within 2% of it, and they barely differ at all.

At 153.8 BPM one beat lasts 390.1 milliseconds, so a sixteenth note is 97.5 ms and a dotted eighth 292.6 ms — the delay times for this recording. Counted half as fast it is 76.9 BPM, counted twice as fast 307.6. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 438.5 Hz, which is 6 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.43 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.792 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.