TempoPeek

The Weeknd featuring Daft Punk · 威肯* – Starboy = 星聞人物

I Feel It Coming

I Feel It Coming is in E flat major at 93 beats per minute.

4080120160200

Tempo

93 BPM · Andantemedian of 169 analyses · 92.9–93 across the middle eight tenths
Key
E♭ major3 flats · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
169people who ran the extractor
One beat
645.2milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.48dB the level wanders from its average
Loudness
0.919Essentia's 0–1 scale, not dB
Danceability
1.596Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

169 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 169 readings; 100% of them land within 2% of it, and they barely differ at all.

At 93 BPM one beat lasts 645.2 milliseconds, so a sixteenth note is 161.3 ms and a dotted eighth 483.9 ms — the delay times for this recording. Counted half as fast it is 46.5 BPM, counted twice as fast 186. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.48 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.919 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E♭ major

Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 93 BPM

Note valueBeatsMillisecondsHertz
Whole note42580.60.39
Half note21290.30.78
Dotted quarter1.5967.71.03
Quarter note (one beat)1645.21.55
Quarter triplet0.667430.12.33
Dotted eighth0.75483.92.07
Eighth note0.5322.63.1
Eighth triplet0.333215.14.65
Dotted sixteenth0.375241.94.13
Sixteenth note0.25161.36.2
Sixteenth triplet0.167107.59.3
Thirty-second note0.12580.612.4

Half time 46.5 BPM · double time 186 BPM. Every row is one beat (645.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Westbound SignGreen DayE♭ major93BPM
  2. Ain’t Nothing Like the Real ThingMarvin Gaye & Tammi TerrellE♭ major94BPM
  3. RubyKaiser ChiefsE♭ major94BPM
  4. When You’re GoneThe CranberriesE♭ major94BPM
  5. Warm WaysFleetwood MacE♭ major92BPM
  6. Feel Good DragAnberlinE♭ major94BPM
  7. Stay (Faraway, So Close!)U2E♭ major94BPM
  8. The Memory of TreesEnyaE♭ major95BPM
  9. SoldierEminemE♭ major95BPM
  10. Ken Kaniff (skit)EminemE♭ major91BPM

Recordings in E flat major, ordered by how near their tempo is to 93 BPM. A calculation, not a recommendation.

All songs in E flat majorAll songs at 93 BPME♭ major at 90–99 BPM

MusicBrainz collapses 1 recording id into this one. Recording id 911e4813-56ea-4490-8fcd-cc3dcd0ae7ca.