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Join Together
Join Together is in F major at 166.3 beats per minute.
Tempo
166 BPM · Vivacemedian of 284 analyses · 166.1–166.4 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 91%share of analyses that agreed
- Analyses
- 284people who ran the extractor
- One beat
- 360.8milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 5.01dB the level wanders from its average
- Loudness
- 0.794Essentia's 0–1 scale, not dB
- Danceability
- 1.066Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
284 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 91% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 284 readings; 92% of them land within 2% of it, and they barely differ at all.
At 166.3 BPM one beat lasts 360.8 milliseconds, so a sixteenth note is 90.2 ms and a dotted eighth 270.6 ms — the delay times for this recording. Counted half as fast it is 83.2 BPM, counted twice as fast 332.6. A score would mark that Vivace, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.01 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.794 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 166 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1443.2 | 0.69 |
| Half note | 2 | 721.6 | 1.39 |
| Dotted quarter | 1.5 | 541.2 | 1.85 |
| Quarter note (one beat) | 1 | 360.8 | 2.77 |
| Quarter triplet | 0.667 | 240.5 | 4.16 |
| Dotted eighth | 0.75 | 270.6 | 3.7 |
| Eighth note | 0.5 | 180.4 | 5.54 |
| Eighth triplet | 0.333 | 120.3 | 8.32 |
| Dotted sixteenth | 0.375 | 135.3 | 7.39 |
| Sixteenth note | 0.25 | 90.2 | 11.09 |
| Sixteenth triplet | 0.167 | 60.1 | 16.63 |
| Thirty-second note | 0.125 | 45.1 | 22.17 |
Half time 83.2 BPM · double time 332.6 BPM. Every row is one beat (360.8 ms) times the fraction in the second column.
Closest in key and tempo
- Free Fallin’Tom PettyF major167BPM
- Hasta mañanaABBAF major167BPM
- A Ballad for the Fallen SoldierJay‐ZF major166BPM
- Devil in My CarThe B‐52sF major166BPM
- 5 YearsBjörkF major166BPM
- At LastEtta JamesF major165BPM
- The JokerSteve Miller BandF major165BPM
- Love Is a Losing GameAmy WinehouseF major165BPM
- Peace TrainCat StevensF major165BPM
- Pale Blue EyesThe Velvet UndergroundF major165BPM
Recordings in F major, ordered by how near their tempo is to 166 BPM. A calculation, not a recommendation.
All songs in F majorAll songs at 166 BPMF major at 160–169 BPMThe Who
MusicBrainz collapses 29 recording ids into this one. Recording id f7e9695c-3d3f-48fc-ba68-3002309146ef.