1984

158 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 92% — put it in B major, a key signature of 5 sharps. The tempo printed above is the median of the 158 readings; 63% of them land within 2% of it, and the middle eight tenths of them run from 112.3 to 172.3 BPM.

At 114.1 BPM one beat lasts 525.9 milliseconds, so a sixteenth note is 131.5 ms and a dotted eighth 394.4 ms — the delay times for this recording. Counted half as fast it is 57.1 BPM, counted twice as fast 228.2. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.4 Hz, which is 22 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.34 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.601 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B major; the ones listed below are the closest in tempo.