Will Smith · Big Willie Style
Miami
Miami is in B flat minor at 108.1 beats per minute.
Tempo
108 BPM · Moderatomedian of 139 analyses · 108.1–108.2 across the middle eight tenths- Key
- B♭ minor5 flats · the key most of the analyses agreed on
- Agreement
- 84%share of analyses that agreed
- Analyses
- 139people who ran the extractor
- One beat
- 555milliseconds, 60,000 ÷ BPM
- Tuning
- 441.3Hz · +5 cents from A 440
- Dynamics
- 3.76dB the level wanders from its average
- Loudness
- 0.968Essentia's 0–1 scale, not dB
- Danceability
- 2.339Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
139 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 84% — put it in B flat minor, a key signature of 5 flats. The tempo printed above is the median of the 139 readings; 96% of them land within 2% of it, and they barely differ at all.
At 108.1 BPM one beat lasts 555 milliseconds, so a sixteenth note is 138.8 ms and a dotted eighth 416.3 ms — the delay times for this recording. Counted half as fast it is 54.1 BPM, counted twice as fast 216.2. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441.3 Hz, which is 5 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.76 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.968 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ minor
Each of these differs from B♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 108 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2220.2 | 0.45 |
| Half note | 2 | 1110.1 | 0.9 |
| Dotted quarter | 1.5 | 832.6 | 1.2 |
| Quarter note (one beat) | 1 | 555 | 1.8 |
| Quarter triplet | 0.667 | 370 | 2.7 |
| Dotted eighth | 0.75 | 416.3 | 2.4 |
| Eighth note | 0.5 | 277.5 | 3.6 |
| Eighth triplet | 0.333 | 185 | 5.41 |
| Dotted sixteenth | 0.375 | 208.1 | 4.8 |
| Sixteenth note | 0.25 | 138.8 | 7.21 |
| Sixteenth triplet | 0.167 | 92.5 | 10.81 |
| Thirty-second note | 0.125 | 69.4 | 14.41 |
Half time 54.1 BPM · double time 216.2 BPM. Every row is one beat (555 ms) times the fraction in the second column.
Closest in key and tempo
- Everybody (Backstreet’s Back) (extended version)Backstreet BoysB♭ minor108BPM
- I Ain’t SuperstitiousJeff BeckB♭ minor108BPM
- Remember the TimeMichael JacksonB♭ minor108BPM
- Everybody (Backstreet’s Back)Backstreet BoysB♭ minor108BPM
- There You GoP!nkB♭ minor108BPM
- All Is Full of LoveBjörkB♭ minor108BPM
- Bron‐Yr‐Aur StompLed ZeppelinB♭ minor109BPM
- Now & ForeverDrakeB♭ minor108BPM
- Beat Box (Diversion One)Art of NoiseB♭ minor109BPM
- Blood on the Dance FloorMichael JacksonB♭ minor109BPM
Recordings in B flat minor, ordered by how near their tempo is to 108 BPM. A calculation, not a recommendation.
All songs in B flat minorAll songs at 108 BPMB♭ minor at 100–109 BPMWill Smith
MusicBrainz collapses 35 recording ids into this one. Recording id bc55b7a8-8d4f-43a4-b9b7-f6c99333e5da.