TempoPeek

Aerosmith · Toys in the Attic

No More No More

No More No More is in E major at 133.4 beats per minute.

4080120160200

Tempo

133 BPM · Allegromedian of 178 analyses · 132.2–133.5 across the middle eight tenths
Key
E major4 sharps · the key most of the analyses agreed on
Agreement
98%share of analyses that agreed
Analyses
178people who ran the extractor
One beat
449.8milliseconds, 60,000 ÷ BPM
Tuning
441Hz · +4 cents from A 440
Dynamics
3.61dB the level wanders from its average
Loudness
0.896Essentia's 0–1 scale, not dB
Danceability
1.268Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

178 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 178 readings; 97% of them land within 2% of it, and the middle eight tenths of them run from 132.2 to 133.5 BPM.

At 133.4 BPM one beat lasts 449.8 milliseconds, so a sixteenth note is 112.4 ms and a dotted eighth 337.3 ms — the delay times for this recording. Counted half as fast it is 66.7 BPM, counted twice as fast 266.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441 Hz, which is 4 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.61 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.896 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E major

Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 133 BPM

Note valueBeatsMillisecondsHertz
Whole note41799.10.56
Half note2899.61.11
Dotted quarter1.5674.71.48
Quarter note (one beat)1449.82.22
Quarter triplet0.667299.93.34
Dotted eighth0.75337.32.96
Eighth note0.5224.94.45
Eighth triplet0.333149.96.67
Dotted sixteenth0.375168.75.93
Sixteenth note0.25112.48.89
Sixteenth triplet0.1677513.34
Thirty-second note0.12556.217.79

Half time 66.7 BPM · double time 266.8 BPM. Every row is one beat (449.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. I Wanna Be Your BoyfriendRamonesE major133BPM
  2. I’m Not in Love10ccE major134BPM
  3. Midnight RamblerThe Rolling StonesE major134BPM
  4. It Won’t Be LongThe BeatlesE major134BPM
  5. The Day I Tried to LiveSoundgardenE major134BPM
  6. IncompleteBackstreet BoysE major134BPM
  7. ThunderstruckAC/DCE major134BPM
  8. Sister Golden HairAmericaE major134BPM
  9. When Will I Be Loved?Linda RonstadtE major133BPM
  10. And Your Bird Can SingThe BeatlesE major133BPM

Recordings in E major, ordered by how near their tempo is to 133 BPM. A calculation, not a recommendation.

All songs in E majorAll songs at 133 BPME major at 130–139 BPMAerosmith

MusicBrainz collapses 25 recording ids into this one. Recording id 4a559198-f8c5-49c1-8a02-7c2cde9183ad.