TempoPeek

Soundgarden · Superunknown

The Day I Tried to Live

The Day I Tried to Live is in E major at 133.6 beats per minute.

4080120160200

Tempo

134 BPM · Allegromedian of 129 analyses · 133.6–133.7 across the middle eight tenths
Key
E major4 sharps · the key most of the analyses agreed on
Agreement
98%share of analyses that agreed
Analyses
129people who ran the extractor
One beat
449.1milliseconds, 60,000 ÷ BPM
Tuning
453.7Hz · +53 cents from A 440
Dynamics
3.23dB the level wanders from its average
Loudness
0.898Essentia's 0–1 scale, not dB
Danceability
1.156Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

129 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 129 readings; 100% of them land within 2% of it, and they barely differ at all.

At 133.6 BPM one beat lasts 449.1 milliseconds, so a sixteenth note is 112.3 ms and a dotted eighth 336.8 ms — the delay times for this recording. Counted half as fast it is 66.8 BPM, counted twice as fast 267.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 453.7 Hz, which is 53 cents above concert A at 440 Hz — far enough that playing along at 440 Hz will sound wrong. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.23 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.898 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E major

Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 134 BPM

Note valueBeatsMillisecondsHertz
Whole note41796.40.56
Half note2898.21.11
Dotted quarter1.5673.71.48
Quarter note (one beat)1449.12.23
Quarter triplet0.667299.43.34
Dotted eighth0.75336.82.97
Eighth note0.5224.64.45
Eighth triplet0.333149.76.68
Dotted sixteenth0.375168.45.94
Sixteenth note0.25112.38.91
Sixteenth triplet0.16774.913.36
Thirty-second note0.12556.117.81

Half time 66.8 BPM · double time 267.2 BPM. Every row is one beat (449.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. I’m Not in Love10ccE major134BPM
  2. IncompleteBackstreet BoysE major134BPM
  3. Midnight RamblerThe Rolling StonesE major134BPM
  4. It Won’t Be LongThe BeatlesE major134BPM
  5. I Wanna Be Your BoyfriendRamonesE major133BPM
  6. No More No MoreAerosmithE major133BPM
  7. ThunderstruckAC/DCE major134BPM
  8. Sister Golden HairAmericaE major134BPM
  9. IncognitoCéline DionE major134BPM
  10. When Will I Be Loved?Linda RonstadtE major133BPM

Recordings in E major, ordered by how near their tempo is to 134 BPM. A calculation, not a recommendation.

All songs in E majorAll songs at 134 BPME major at 130–139 BPMSoundgarden

MusicBrainz collapses 14 recording ids into this one. Recording id 3c8502c2-ed37-4077-9fae-c2f96764f003.