TempoPeek

Barbra Streisand and Bryan Adams · Partners

I Finally Found Someone

I Finally Found Someone is in F sharp major at 138.9 beats per minute.

4080120160200

Tempo

139 BPM · Allegromedian of 141 analyses · 138.8–139 across the middle eight tenths
Key
F♯ major6 sharps · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
141people who ran the extractor
One beat
432milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
6.59dB the level wanders from its average
Loudness
0.266Essentia's 0–1 scale, not dB
Danceability
1.011Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

141 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 141 readings; 100% of them land within 2% of it, and they barely differ at all.

At 138.9 BPM one beat lasts 432 milliseconds, so a sixteenth note is 108 ms and a dotted eighth 324 ms — the delay times for this recording. Counted half as fast it is 69.5 BPM, counted twice as fast 277.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.59 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.266 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F♯ major

Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 139 BPM

Note valueBeatsMillisecondsHertz
Whole note41727.90.58
Half note2863.91.16
Dotted quarter1.5647.91.54
Quarter note (one beat)14322.32
Quarter triplet0.6672883.47
Dotted eighth0.753243.09
Eighth note0.52164.63
Eighth triplet0.3331446.95
Dotted sixteenth0.3751626.17
Sixteenth note0.251089.26
Sixteenth triplet0.1677213.89
Thirty-second note0.1255418.52

Half time 69.5 BPM · double time 277.8 BPM. Every row is one beat (432 ms) times the fraction in the second column.

Closest in key and tempo

  1. CathedralCrosby, Stills & NashF♯ major139BPM
  2. Have You Ever Been in LoveCéline DionF♯ major138BPM
  3. Too MuchDrake feat. SamphaF♯ major140BPM
  4. Right as RainAdeleF♯ major137BPM
  5. Sous le ventGarou en duo avec Céline DionF♯ major141BPM
  6. Tell It Like It T‐I‐IsThe B‐52’sF♯ major137BPM
  7. FirestarterProdigyF♯ major142BPM
  8. Little WingThe Jimi Hendrix ExperienceF♯ major143BPM
  9. Is There Somebody Who Can Watch YouThe 1975F♯ major144BPM
  10. E chiove (And It Rains)Andrea BocelliF♯ major144BPM

Recordings in F sharp major, ordered by how near their tempo is to 139 BPM. A calculation, not a recommendation.

All songs in F sharp majorAll songs at 139 BPMF♯ major at 130–139 BPM

MusicBrainz collapses 1 recording id into this one. Recording id 8f72b0df-9c7c-4468-aa91-2f615dfb11bb.