Drake feat. Sampha · Nothing Was the Same

Too Much

Too Much is in F sharp major at 140.2 beats per minute.

Tempo

140 BPM · Allegromedian of 128 analyses · 140.2–140.2 across the middle eight tenths

Key: F♯ major6 sharps · the key most of the analyses agreed on
Agreement: 98%share of analyses that agreed
Analyses: 128people who ran the extractor
One beat: 428milliseconds, 60,000 ÷ BPM
Tuning: 434.2Hz · -23 cents from A 440
Dynamics: 9.57dB the level wanders from its average
Loudness: 0.409Essentia's 0–1 scale, not dB
Danceability: 1.119Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

128 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 128 readings; 100% of them land within 2% of it, and they barely differ at all.

At 140.2 BPM one beat lasts 428 milliseconds, so a sixteenth note is 107 ms and a dotted eighth 321 ms — the delay times for this recording. Counted half as fast it is 70.1 BPM, counted twice as fast 280.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 9.57 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.409 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F♯ major

Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 140 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	1711.8	0.58
Half note	2	855.9	1.17
Dotted quarter	1.5	641.9	1.56
Quarter note (one beat)	1	428	2.34
Quarter triplet	0.667	285.3	3.51
Dotted eighth	0.75	321	3.12
Eighth note	0.5	214	4.67
Eighth triplet	0.333	142.7	7.01
Dotted sixteenth	0.375	160.5	6.23
Sixteenth note	0.25	107	9.35
Sixteenth triplet	0.167	71.3	14.02
Thirty-second note	0.125	53.5	18.69

Half time 70.1 BPM · double time 280.4 BPM. Every row is one beat (428 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in F sharp major, ordered by how near their tempo is to 140 BPM. A calculation, not a recommendation.

All songs in F sharp major All songs at 140 BPM F♯ major at 140–149 BPM

MusicBrainz collapses 1 recording id into this one. Recording id 30a01df8-fb7f-4a96-808c-a8670c4da7b0.