blink‐182 · Enema of the State
What’s My Age Again?
What’s My Age Again? is in F sharp major at 155.5 beats per minute.
Tempo
156 BPM · Allegromedian of 286 analyses · 155.4–155.7 across the middle eight tenths- Key
- F♯ major6 sharps · the key most of the analyses agreed on
- Agreement
- 81%share of analyses that agreed
- Analyses
- 286people who ran the extractor
- One beat
- 385.9milliseconds, 60,000 ÷ BPM
- Tuning
- 441.8Hz · +7 cents from A 440
- Dynamics
- 4.33dB the level wanders from its average
- Loudness
- 0.879Essentia's 0–1 scale, not dB
- Danceability
- 1.01Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
286 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 81% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 286 readings; 91% of them land within 2% of it, and they barely differ at all.
At 155.5 BPM one beat lasts 385.9 milliseconds, so a sixteenth note is 96.5 ms and a dotted eighth 289.4 ms — the delay times for this recording. Counted half as fast it is 77.8 BPM, counted twice as fast 311. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.33 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.879 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F♯ major
Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 156 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1543.4 | 0.65 |
| Half note | 2 | 771.7 | 1.3 |
| Dotted quarter | 1.5 | 578.8 | 1.73 |
| Quarter note (one beat) | 1 | 385.9 | 2.59 |
| Quarter triplet | 0.667 | 257.2 | 3.89 |
| Dotted eighth | 0.75 | 289.4 | 3.46 |
| Eighth note | 0.5 | 192.9 | 5.18 |
| Eighth triplet | 0.333 | 128.6 | 7.78 |
| Dotted sixteenth | 0.375 | 144.7 | 6.91 |
| Sixteenth note | 0.25 | 96.5 | 10.37 |
| Sixteenth triplet | 0.167 | 64.3 | 15.55 |
| Thirty-second note | 0.125 | 48.2 | 20.73 |
Half time 77.8 BPM · double time 311 BPM. Every row is one beat (385.9 ms) times the fraction in the second column.
Closest in key and tempo
- Barbara AnnThe Beach BoysF♯ major155BPM
- Country GirlBlack SabbathF♯ major156BPM
- MichaelFranz FerdinandF♯ major156BPM
- ScattergunRamonesF♯ major155BPM
- I Knew You Were Trouble.Taylor SwiftF♯ major154BPM
- Come On OverShania TwainF♯ major153BPM
- Live and Let DieGuns N’ RosesF♯ major153BPM
- TrismThe B‐52sF♯ major152BPM
- Into the VoidBlack SabbathF♯ major152BPM
- Tonight, TonightThe Smashing PumpkinsF♯ major150BPM
Recordings in F sharp major, ordered by how near their tempo is to 156 BPM. A calculation, not a recommendation.
All songs in F sharp majorAll songs at 156 BPMF♯ major at 150–159 BPMblink‐182
MusicBrainz collapses 29 recording ids into this one. Recording id e0524388-a2a0-49a3-a9d6-665b8f5fd6f6.