Guns N’ Roses · Use Your Illusion I

Live and Let Die

Live and Let Die is in F sharp major at 152.6 beats per minute.

4080120160200

Tempo

153 BPM · Allegromedian of 238 analyses · 152.5–152.7 across the middle eight tenths
Key
F♯ major6 sharps · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
238people who ran the extractor
One beat
393.2milliseconds, 60,000 ÷ BPM
Tuning
439Hz · -4 cents from A 440
Dynamics
5.26dB the level wanders from its average
Loudness
0.733Essentia's 0–1 scale, not dB
Danceability
0.892Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

238 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 238 readings; 100% of them land within 2% of it, and they barely differ at all.

At 152.6 BPM one beat lasts 393.2 milliseconds, so a sixteenth note is 98.3 ms and a dotted eighth 294.9 ms — the delay times for this recording. Counted half as fast it is 76.3 BPM, counted twice as fast 305.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439 Hz, which is 4 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.26 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.733 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F♯ major

Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 153 BPM

Note valueBeatsMillisecondsHertz
Whole note41572.70.64
Half note2786.41.27
Dotted quarter1.5589.81.7
Quarter note (one beat)1393.22.54
Quarter triplet0.667262.13.81
Dotted eighth0.75294.93.39
Eighth note0.5196.65.09
Eighth triplet0.333131.17.63
Dotted sixteenth0.375147.46.78
Sixteenth note0.2598.310.17
Sixteenth triplet0.16765.515.26
Thirty-second note0.12549.120.35

Half time 76.3 BPM · double time 305.2 BPM. Every row is one beat (393.2 ms) times the fraction in the second column.

The same title by somebody else

  1. Live and Let DieWingsG major154BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. TrismThe B‐52sF♯ major152BPM
  2. Into the VoidBlack SabbathF♯ major152BPM
  3. Come On OverShania TwainF♯ major153BPM
  4. I Knew You Were Trouble.Taylor SwiftF♯ major154BPM
  5. ScattergunRamonesF♯ major155BPM
  6. Tonight, TonightThe Smashing PumpkinsF♯ major150BPM
  7. Ridetwenty one pilotsF♯ major150BPM
  8. Barbara AnnThe Beach BoysF♯ major155BPM
  9. What’s My Age Again?blink‐182F♯ major156BPM
  10. Country GirlBlack SabbathF♯ major156BPM

Recordings in F sharp major, ordered by how near their tempo is to 153 BPM. A calculation, not a recommendation.

All songs in F sharp majorAll songs at 153 BPMF♯ major at 150–159 BPMGuns N’ Roses

MusicBrainz collapses 112 recording ids into this one. Recording id a13ba277-a7ed-44bb-9e42-598a5983e7f0.