Bruce Springsteen · Greetings From Asbury Park, N.J.

Growin’ Up

Growin’ Up is in C major at 143.2 beats per minute.

4080120160200

Tempo

143 BPM · Allegromedian of 146 analyses · 132.7–143.9 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
91%share of analyses that agreed
Analyses
146people who ran the extractor
One beat
419milliseconds, 60,000 ÷ BPM
Tuning
442.8Hz · +11 cents from A 440
Dynamics
6.51dB the level wanders from its average
Loudness
0.424Essentia's 0–1 scale, not dB
Danceability
1.076Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

146 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 91% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 146 readings; 64% of them land within 2% of it, and the middle eight tenths of them run from 132.7 to 143.9 BPM.

At 143.2 BPM one beat lasts 419 milliseconds, so a sixteenth note is 104.7 ms and a dotted eighth 314.2 ms — the delay times for this recording. Counted half as fast it is 71.6 BPM, counted twice as fast 286.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 442.8 Hz, which is 11 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.51 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.424 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 143 BPM

Note valueBeatsMillisecondsHertz
Whole note416760.6
Half note28381.19
Dotted quarter1.5628.51.59
Quarter note (one beat)14192.39
Quarter triplet0.667279.33.58
Dotted eighth0.75314.23.18
Eighth note0.5209.54.77
Eighth triplet0.333139.77.16
Dotted sixteenth0.375157.16.36
Sixteenth note0.25104.79.55
Sixteenth triplet0.16769.814.32
Thirty-second note0.12552.419.09

Half time 71.6 BPM · double time 286.4 BPM. Every row is one beat (419 ms) times the fraction in the second column.

Closest in key and tempo

  1. SkinMadonnaC major143BPM
  2. Old Brown ShoeThe BeatlesC major143BPM
  3. Love Is a RoseLinda RonstadtC major144BPM
  4. Time and Time AgainCounting CrowsC major144BPM
  5. FrownlandCaptain Beefheart & His Magic BandC major143BPM
  6. ShiloNeil DiamondC major143BPM
  7. The Card CheatThe ClashC major144BPM
  8. AmericanLana Del ReyC major144BPM
  9. Salt and ShadowThriceC major144BPM
  10. Enough SpaceFoo FightersC major144BPM

Recordings in C major, ordered by how near their tempo is to 143 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 143 BPMC major at 140–149 BPMBruce Springsteen

MusicBrainz collapses 154 recording ids into this one. Recording id f80069cb-7158-4fdf-b457-8d38c4053896.