Frownland

134 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 134 readings; 60% of them land within 2% of it, and the middle eight tenths of them run from 125.9 to 143.1 BPM.

At 142.7 BPM one beat lasts 420.5 milliseconds, so a sixteenth note is 105.1 ms and a dotted eighth 315.3 ms — the delay times for this recording. Counted half as fast it is 71.4 BPM, counted twice as fast 285.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 443.3 Hz, which is 13 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.81 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.883 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.