TempoPeek

Drake · Thank Me Later

Over

Over is in F major at 100.6 beats per minute.

4080120160200

Tempo

101 BPM · Andantemedian of 134 analyses · 100.5–100.9 across the middle eight tenths
Key
F major1 flat · the key most of the analyses agreed on
Agreement
90%share of analyses that agreed
Analyses
134people who ran the extractor
One beat
596.4milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
3.48dB the level wanders from its average
Loudness
0.836Essentia's 0–1 scale, not dB
Danceability
1.13Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

134 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 90% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 134 readings; 93% of them land within 2% of it, and they barely differ at all.

At 100.6 BPM one beat lasts 596.4 milliseconds, so a sixteenth note is 149.1 ms and a dotted eighth 447.3 ms — the delay times for this recording. Counted half as fast it is 50.3 BPM, counted twice as fast 201.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.48 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.836 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 101 BPM

Note valueBeatsMillisecondsHertz
Whole note42385.70.42
Half note21192.80.84
Dotted quarter1.5894.61.12
Quarter note (one beat)1596.41.68
Quarter triplet0.667397.62.52
Dotted eighth0.75447.32.24
Eighth note0.5298.23.35
Eighth triplet0.333198.85.03
Dotted sixteenth0.375223.74.47
Sixteenth note0.25149.16.71
Sixteenth triplet0.16799.410.06
Thirty-second note0.12574.613.41

Half time 50.3 BPM · double time 201.2 BPM. Every row is one beat (596.4 ms) times the fraction in the second column.

The same title by somebody else

  1. OverPortisheadC minor148BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. StarmanDavid BowieF major101BPM
  2. Florida KilosLana Del ReyF major101BPM
  3. The Downward Spiral (The Bottom)Nine Inch NailsF major100BPM
  4. It’s Only LoveBryan Adams with Tina TurnerF major101BPM
  5. Neon Meate Dream of a OctafishCaptain Beefheart & His Magic BandF major101BPM
  6. LDNLily AllenF major100BPM
  7. We’re in This TogetherNine Inch NailsF major100BPM
  8. Right Next to the Right OneCéline DionF major101BPM
  9. King Harvest (Has Surely Come)The BandF major100BPM
  10. RunawayThe CorrsF major101BPM

Recordings in F major, ordered by how near their tempo is to 101 BPM. A calculation, not a recommendation.

All songs in F majorAll songs at 101 BPMF major at 100–109 BPMDrake

MusicBrainz collapses 7 recording ids into this one. Recording id 79ccacbb-9cd1-48d0-b35c-7f549a573819.