Lana Del Rey · Ultraviolence
Florida Kilos
Florida Kilos is in F major at 100.5 beats per minute.
Tempo
101 BPM · Andantemedian of 135 analyses · 100.5–100.6 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 96%share of analyses that agreed
- Analyses
- 135people who ran the extractor
- One beat
- 597milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.3dB the level wanders from its average
- Loudness
- 0.885Essentia's 0–1 scale, not dB
- Danceability
- 1.273Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
135 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 135 readings; 100% of them land within 2% of it, and they barely differ at all.
At 100.5 BPM one beat lasts 597 milliseconds, so a sixteenth note is 149.3 ms and a dotted eighth 447.8 ms — the delay times for this recording. Counted half as fast it is 50.3 BPM, counted twice as fast 201. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.3 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.885 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 101 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2388.1 | 0.42 |
| Half note | 2 | 1194 | 0.84 |
| Dotted quarter | 1.5 | 895.5 | 1.12 |
| Quarter note (one beat) | 1 | 597 | 1.67 |
| Quarter triplet | 0.667 | 398 | 2.51 |
| Dotted eighth | 0.75 | 447.8 | 2.23 |
| Eighth note | 0.5 | 298.5 | 3.35 |
| Eighth triplet | 0.333 | 199 | 5.02 |
| Dotted sixteenth | 0.375 | 223.9 | 4.47 |
| Sixteenth note | 0.25 | 149.3 | 6.7 |
| Sixteenth triplet | 0.167 | 99.5 | 10.05 |
| Thirty-second note | 0.125 | 74.6 | 13.4 |
Half time 50.3 BPM · double time 201 BPM. Every row is one beat (597 ms) times the fraction in the second column.
Closest in key and tempo
- StarmanDavid BowieF major101BPM
- OverDrakeF major101BPM
- The Downward Spiral (The Bottom)Nine Inch NailsF major100BPM
- It’s Only LoveBryan Adams with Tina TurnerF major101BPM
- LDNLily AllenF major100BPM
- We’re in This TogetherNine Inch NailsF major100BPM
- King Harvest (Has Surely Come)The BandF major100BPM
- Neon Meate Dream of a OctafishCaptain Beefheart & His Magic BandF major101BPM
- Slow MotionScannerF major100BPM
- Right Next to the Right OneCéline DionF major101BPM
Recordings in F major, ordered by how near their tempo is to 101 BPM. A calculation, not a recommendation.
All songs in F majorAll songs at 101 BPMF major at 100–109 BPMLana Del Rey
MusicBrainz collapses 1 recording id into this one. Recording id 83f89f1f-e30f-4c22-b365-8bfd0a8608a5.