Drake · Nothing Was the Same
Started From the Bottom
Started From the Bottom is in B flat major at 86.2 beats per minute.
Tempo
86 BPM · Andantemedian of 177 analyses · 86–86.2 across the middle eight tenths- Key
- B♭ major2 flats · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 177people who ran the extractor
- One beat
- 696.1milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 5.4dB the level wanders from its average
- Loudness
- 0.878Essentia's 0–1 scale, not dB
- Danceability
- 1.167Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
177 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in B flat major, a key signature of 2 flats. The tempo printed above is the median of the 177 readings; 98% of them land within 2% of it, and they barely differ at all.
At 86.2 BPM one beat lasts 696.1 milliseconds, so a sixteenth note is 174 ms and a dotted eighth 522 ms — the delay times for this recording. Counted half as fast it is 43.1 BPM, counted twice as fast 172.4. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.878 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ major
Each of these differs from B♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 86 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2784.2 | 0.36 |
| Half note | 2 | 1392.1 | 0.72 |
| Dotted quarter | 1.5 | 1044.1 | 0.96 |
| Quarter note (one beat) | 1 | 696.1 | 1.44 |
| Quarter triplet | 0.667 | 464 | 2.15 |
| Dotted eighth | 0.75 | 522 | 1.92 |
| Eighth note | 0.5 | 348 | 2.87 |
| Eighth triplet | 0.333 | 232 | 4.31 |
| Dotted sixteenth | 0.375 | 261 | 3.83 |
| Sixteenth note | 0.25 | 174 | 5.75 |
| Sixteenth triplet | 0.167 | 116 | 8.62 |
| Thirty-second note | 0.125 | 87 | 11.49 |
Half time 43.1 BPM · double time 172.4 BPM. Every row is one beat (696.1 ms) times the fraction in the second column.
Closest in key and tempo
- Happy Xmas (War Is Over)Céline DionB♭ major86BPM
- D.O.A. (Death of Auto‐Tune)Jay‐ZB♭ major86BPM
- Getaway CarTaylor SwiftB♭ major86BPM
- My Name IsEminemB♭ major86BPM
- Mad WorldMichael Andrews feat. Gary JulesB♭ major87BPM
- Ring the AlarmBeyoncéB♭ major85BPM
- Love the Way You LieEminem feat. RihannaB♭ major87BPM
- Thunder and LightningPhil CollinsB♭ major85BPM
- ImaginationEarth, Wind & FireB♭ major85BPM
- River’s InvitationAretha FranklinB♭ major87BPM
Recordings in B flat major, ordered by how near their tempo is to 86 BPM. A calculation, not a recommendation.
All songs in B flat majorAll songs at 86 BPMB♭ major at 80–89 BPMDrake
MusicBrainz collapses 13 recording ids into this one. Recording id be92fe6d-2a84-4aae-83e7-ce5ebf249ce4.