TempoPeek

Jet · Shine On

Put Your Money Where Your Mouth Is

Put Your Money Where Your Mouth Is is in E minor at 130.6 beats per minute.

4080120160200

Tempo

131 BPM · Allegromedian of 147 analyses · 130.6–130.6 across the middle eight tenths
Key
E minor1 sharp · the key most of the analyses agreed on
Agreement
57%share of analyses that agreed
Analyses
147people who ran the extractor
One beat
459.4milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
3.44dB the level wanders from its average
Loudness
0.861Essentia's 0–1 scale, not dB
Danceability
0.973Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

147 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 57% — put it in E minor, a key signature of 1 sharp. The tempo printed above is the median of the 147 readings; 100% of them land within 2% of it, and they barely differ at all.

At 130.6 BPM one beat lasts 459.4 milliseconds, so a sixteenth note is 114.9 ms and a dotted eighth 344.6 ms — the delay times for this recording. Counted half as fast it is 65.3 BPM, counted twice as fast 261.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.44 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.861 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E minor

Each of these differs from E minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 131 BPM

Note valueBeatsMillisecondsHertz
Whole note41837.70.54
Half note2918.81.09
Dotted quarter1.5689.11.45
Quarter note (one beat)1459.42.18
Quarter triplet0.667306.33.26
Dotted eighth0.75344.62.9
Eighth note0.5229.74.35
Eighth triplet0.333153.16.53
Dotted sixteenth0.375172.35.8
Sixteenth note0.25114.98.71
Sixteenth triplet0.16776.613.06
Thirty-second note0.12557.417.41

Half time 65.3 BPM · double time 261.2 BPM. Every row is one beat (459.4 ms) times the fraction in the second column.

Closest in key and tempo

  1. The WalkThe CureE minor130BPM
  2. PromisesThe CranberriesE minor130BPM
  3. CorduroyPearl JamE minor132BPM
  4. Separate Ways (Worlds Apart)JourneyE minor132BPM
  5. Eight Miles HighThe ByrdsE minor130BPM
  6. Pigs (Three Different Ones)Pink FloydE minor130BPM
  7. Love FoolosophyJamiroquaiE minor129BPM
  8. Ain’t No Mountain High EnoughMarvin Gaye & Tammi TerrellE minor129BPM
  9. LowColdplayE minor132BPM
  10. High by the BeachLana Del ReyE minor132BPM

Recordings in E minor, ordered by how near their tempo is to 131 BPM. A calculation, not a recommendation.

All songs in E minorAll songs at 131 BPME minor at 130–139 BPMJet

MusicBrainz collapses 2 recording ids into this one. Recording id 2d669791-d7dc-43b5-b19b-6f7430dfba77.