TempoPeek

Michael Bublé · Michael Bublé

Crazy Little Thing Called Love

Crazy Little Thing Called Love is in F major at 154.9 beats per minute.

4080120160200

Tempo

155 BPM · Allegromedian of 143 analyses · 154.9–154.9 across the middle eight tenths
Key
F major1 flat · the key most of the analyses agreed on
Agreement
97%share of analyses that agreed
Analyses
143people who ran the extractor
One beat
387.3milliseconds, 60,000 ÷ BPM
Tuning
440Hz · 0 cents from A 440
Dynamics
3.5dB the level wanders from its average
Loudness
0.888Essentia's 0–1 scale, not dB
Danceability
1.157Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

143 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 143 readings; 96% of them land within 2% of it, and they barely differ at all.

At 154.9 BPM one beat lasts 387.3 milliseconds, so a sixteenth note is 96.8 ms and a dotted eighth 290.5 ms — the delay times for this recording. Counted half as fast it is 77.5 BPM, counted twice as fast 309.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440 Hz, which is 0 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.5 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.888 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 155 BPM

Note valueBeatsMillisecondsHertz
Whole note41549.40.65
Half note2774.71.29
Dotted quarter1.55811.72
Quarter note (one beat)1387.32.58
Quarter triplet0.667258.23.87
Dotted eighth0.75290.53.44
Eighth note0.5193.75.16
Eighth triplet0.333129.17.75
Dotted sixteenth0.375145.36.88
Sixteenth note0.2596.810.33
Sixteenth triplet0.16764.615.49
Thirty-second note0.12548.420.65

Half time 77.5 BPM · double time 309.8 BPM. Every row is one beat (387.3 ms) times the fraction in the second column.

The same title by somebody else

  1. Crazy Little Thing Called LoveQueenD minor153BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. One and OnlyAdeleF major155BPM
  2. A Man Needs a MaidNeil YoungF major155BPM
  3. Cat’s in the CradleHarry ChapinF major155BPM
  4. Play DeadBjörk & David ArnoldF major155BPM
  5. Let Me LiveQueenF major155BPM
  6. Mutant ConvoyTyler Bates & Joanne HigginbottomF major155BPM
  7. DarleneLed ZeppelinF major155BPM
  8. No SurprisesRadioheadF major154BPM
  9. ComplicatedAvril LavigneF major156BPM
  10. Don’t Stop Me NowQueenF major156BPM

Recordings in F major, ordered by how near their tempo is to 155 BPM. A calculation, not a recommendation.

All songs in F majorAll songs at 155 BPMF major at 150–159 BPMMichael Bublé

MusicBrainz collapses 5 recording ids into this one. Recording id 59926820-ac24-454b-b75f-578af7ee64db.