TempoPeek

Tyler Bates & Joanne Higginbottom · Deadpool 2: Original Motion Picture Score

Mutant Convoy

Mutant Convoy is in F major at 155.3 beats per minute.

4080120160200

Tempo

155 BPM · Allegromedian of 176 analyses · 155.2–155.3 across the middle eight tenths
Key
F major1 flat · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
176people who ran the extractor
One beat
386.3milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
3.23dB the level wanders from its average
Loudness
0.818Essentia's 0–1 scale, not dB
Danceability
0.958Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

176 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 176 readings; 100% of them land within 2% of it, and they barely differ at all.

At 155.3 BPM one beat lasts 386.3 milliseconds, so a sixteenth note is 96.6 ms and a dotted eighth 289.8 ms — the delay times for this recording. Counted half as fast it is 77.7 BPM, counted twice as fast 310.6. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.23 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.818 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 155 BPM

Note valueBeatsMillisecondsHertz
Whole note41545.40.65
Half note2772.71.29
Dotted quarter1.5579.51.73
Quarter note (one beat)1386.32.59
Quarter triplet0.667257.63.88
Dotted eighth0.75289.83.45
Eighth note0.5193.25.18
Eighth triplet0.333128.87.77
Dotted sixteenth0.375144.96.9
Sixteenth note0.2596.610.35
Sixteenth triplet0.16764.415.53
Thirty-second note0.12548.320.71

Half time 77.7 BPM · double time 310.6 BPM. Every row is one beat (386.3 ms) times the fraction in the second column.

Closest in key and tempo

  1. DarleneLed ZeppelinF major155BPM
  2. Let Me LiveQueenF major155BPM
  3. ComplicatedAvril LavigneF major156BPM
  4. Don’t Stop Me NowQueenF major156BPM
  5. OblivionBastilleF major156BPM
  6. Can't Fight the Feelin'Céline DionF major156BPM
  7. Crazy Little Thing Called LoveMichael BubléF major155BPM
  8. One and OnlyAdeleF major155BPM
  9. A Man Needs a MaidNeil YoungF major155BPM
  10. Tears for ODBJ. ColeF major156BPM

Recordings in F major, ordered by how near their tempo is to 155 BPM. A calculation, not a recommendation.

All songs in F majorAll songs at 155 BPMF major at 150–159 BPM

MusicBrainz collapses 1 recording id into this one. Recording id d7f0e181-20aa-448e-a5f7-1894f9912055.