The Cars · Heartbeat City

You Might Think

You Might Think is in D major at 133.9 beats per minute.

4080120160200

Tempo

134 BPM · Allegromedian of 181 analyses · 133.6–134 across the middle eight tenths
Key
D major2 sharps · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
181people who ran the extractor
One beat
448.1milliseconds, 60,000 ÷ BPM
Tuning
439.7Hz · -1 cents from A 440
Dynamics
3.62dB the level wanders from its average
Loudness
0.84Essentia's 0–1 scale, not dB
Danceability
1.149Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

181 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in D major, a key signature of 2 sharps. The tempo printed above is the median of the 181 readings; 100% of them land within 2% of it, and they barely differ at all.

At 133.9 BPM one beat lasts 448.1 milliseconds, so a sixteenth note is 112 ms and a dotted eighth 336.1 ms — the delay times for this recording. Counted half as fast it is 67 BPM, counted twice as fast 267.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.7 Hz, which is 1 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.62 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.84 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D major

Each of these differs from D major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 134 BPM

Note valueBeatsMillisecondsHertz
Whole note41792.40.56
Half note2896.21.12
Dotted quarter1.5672.11.49
Quarter note (one beat)1448.12.23
Quarter triplet0.667298.73.35
Dotted eighth0.75336.12.98
Eighth note0.52244.46
Eighth triplet0.333149.46.7
Dotted sixteenth0.3751685.95
Sixteenth note0.251128.93
Sixteenth triplet0.16774.713.39
Thirty-second note0.1255617.85

Half time 67 BPM · double time 267.8 BPM. Every row is one beat (448.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. I’ll Stand by YouPretendersD major134BPM
  2. WhyFleetwood MacD major134BPM
  3. P.S. I Love YouThe BeatlesD major134BPM
  4. You and IQueenD major134BPM
  5. Aces HighIron MaidenD major135BPM
  6. A Dustland FairytaleThe KillersD major135BPM
  7. Permanent VacationAerosmithD major135BPM
  8. The Miracle (of Joey Ramone)U2D major135BPM
  9. JuliaThe BeatlesD major135BPM
  10. What’s Up4 Non BlondesD major135BPM

Recordings in D major, ordered by how near their tempo is to 134 BPM. A calculation, not a recommendation.

All songs in D majorAll songs at 134 BPMD major at 130–139 BPMThe Cars

MusicBrainz collapses 9 recording ids into this one. Recording id eed3d984-0bcf-4236-b986-d31da43edb99.