Tim Davies · Frozen

Sorcery

Sorcery is in D minor at 144.2 beats per minute.

4080120160200

Tempo

144 BPM · Allegromedian of 129 analyses · 144.2–147.3 across the middle eight tenths
Key
D minor1 flat · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
129people who ran the extractor
One beat
416.1milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
10.57dB the level wanders from its average
Loudness
0.02Essentia's 0–1 scale, not dB
Danceability
0.768Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

129 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in D minor, a key signature of 1 flat. The tempo printed above is the median of the 129 readings; 84% of them land within 2% of it, and the middle eight tenths of them run from 144.2 to 147.3 BPM.

At 144.2 BPM one beat lasts 416.1 milliseconds, so a sixteenth note is 104 ms and a dotted eighth 312.1 ms — the delay times for this recording. Counted half as fast it is 72.1 BPM, counted twice as fast 288.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 10.57 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.02 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D minor

Each of these differs from D minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 144 BPM

Note valueBeatsMillisecondsHertz
Whole note41664.40.6
Half note2832.21.2
Dotted quarter1.5624.11.6
Quarter note (one beat)1416.12.4
Quarter triplet0.667277.43.6
Dotted eighth0.75312.13.2
Eighth note0.52084.81
Eighth triplet0.333138.77.21
Dotted sixteenth0.3751566.41
Sixteenth note0.251049.61
Sixteenth triplet0.16769.314.42
Thirty-second note0.1255219.23

Half time 72.1 BPM · double time 288.4 BPM. Every row is one beat (416.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. Red BarchettaRushD minor144BPM
  2. HeadlongQueenD minor144BPM
  3. The WeightThe BandD minor144BPM
  4. Paradise (Not for Me)MadonnaD minor144BPM
  5. FreedomRage Against the MachineD minor145BPM
  6. I Want You (She’s So Heavy)The BeatlesD minor143BPM
  7. Under My WheelsAlice CooperD minor143BPM
  8. Can’t Stand Losing YouThe PoliceD minor143BPM
  9. DOAFoo FightersD minor146BPM
  10. Poppin’ TagsJay‐Z feat. Big Boi, Killer Mike & TwistaD minor146BPM

Recordings in D minor, ordered by how near their tempo is to 144 BPM. A calculation, not a recommendation.

All songs in D minorAll songs at 144 BPMD minor at 140–149 BPMTim Davies

MusicBrainz collapses 1 recording id into this one. Recording id f8ab9593-fe42-4605-b7a6-65275490e0c8.